GOOD FRIDAY - SPICIEST NEW TUNAS OF 25 OCT 2019

Good Friday: The feature series that shines a light on our favourite new releases from around Australia, New Zealand and Southeast Asia. Make sure you check out all the artists that featured this week up the top of our weekly playlist, which also includes some other jams we've been getting down to during the week.

1.     ‘Pipe Dreams’ - Good Lekker 

Wollongong favourites Good Lekker explore the intangible chaos that pervades the human condition in their new single ‘Pipe Dreams’.

Following the release of ‘Prague’, the band shift into deeper subject material in their most mature release yet. The single also comes as a taste of the band’s debut EP Samara set to release November 22.

Good Lekker vocalist Josh Fahy says ‘Pipe Dreams’ was written as an extended jam that was later refined.

“It’s a call to push on, to fight the good fight, and to find peace amongst the chaos,” he explains.

After considerable success over the course of 2019, the band have been compared to the massive names of Foals and Northeast Party House.

Good Lekker have been steadily growing their fan base since 2017 by producing catchy tunes and playing energetic live shows filled with thick synths and dirty riffs. Now, their sound has reached a level which is undeniably charming and instantly recognisable. Get amongst the delicate and driving mix of Brit-pop and indie rock today.

2.     ‘Chain’ – Winifred

Melbourne-based newcomer Winifred has shared her debut single 'Chain'.

The brooding track, written and recorded in London, is about the nostalgia associated with lost relationships.

Winifred says the song describes being bound by memories, haunted by someone as if they were a physical chain around your neck… but it's also about piercing through that veil.

The inspiration was drawn from Bjarke Ingles’ quote: "What changes over time is the naivety fades away, but it is replaced by another kind of confidence."

With such a catchy melody and chorus, it’s no surprise the tune was made alongside producer Tim Gordine and mixed by Jono Steer.

After working with Melbourne-based artist-producer Alice Ivy in the past and even joining her on stage at The Forum earlier this month, Winifred has proven to be one of Australia’s most exciting young pop talents around. Stay tuned for more Winifred news!

3.     ‘Been Busy’ – Thunder Fox

Strap yourselves in for the wild aural and visual journey that is ‘Been Busy’.

The new funk-drenched single from Thunder Fox, paired with a crazy music video, comes from their forthcoming album LOVE AT FIRST SNIFF.

Drawing influence from Anderson .Paak, Hiatus Kaiyote and D’Angelo, an expert marriage of horn lines with addictive basslines and riffs shine through in the song.

Working with director Nick Allen, the band’s cheeky humour comes through in the music video for ‘Been Busy’. It perfectly encapsulates the pure musical absurdity that is Thunder Fox.

When speaking on the new track and upcoming album, Thunder Fox say the music muses on subject matter with a discernible sense of growth and progression while stretching across a canyon of mixed emotion.

After headlined several tours of their own while appearing at the likes of Lost Paradise, the Caloundra Music Festival and Subsonic Music Festival, the band are stronger than they’ve ever been.

Thunder Fox have cracked the code to swagger infused, hedonistic rock-funk hoo-ha, and we can’t wait to hear more. Thunder Fox will be unleashing new music across stages sooner than you think, so get ready!

4.     ‘Weightless World’ - Golding

Introducing the new indie-electronic pair soon to take over your radio… Golding.

Jay Bainbridge and Matt Bartlem have worked alongside each-other musically for some time, so their new single ‘Weightless World’ has been a long time coming.

The debut single is the epitome of musical chemistry, blending smooth soulful vocals with intricate layering of rippling beats, pulsing synths, and delicate guitar riffs.
‘Weightless World’ reflects on the seemingly perfect life that comes with fame and money, and draws inspiration from artists such as Alt-J and Phoenix.

The duo with a sound similar to that of Nick Murphy / Chet Faker, experiment with melody, beats, and space in a way that seeps into your subconscious. The meticulosity composed sound swirls around your mind and takes over your senses.

And now for the best part… ‘Weightless World’ is only just the beginning. Get intoxicated by the charming harmonies and vocals of Golding now.

5.     ‘Raise The Alarm’ - NOT A BOYS NAME

After touring with the likes of Olympia and I Know Leopard, Sydney artist NOT A BOYS NAME aka Dave Jenkins Jr. has finally released an indisputably infectious single, ‘Raise The Alarm’.

Co-written with Lucy Taylor (Dagny, Dua Lipa, Friendly Fires) and Ross James (Upsidedownhead), the multi-instrumentalist has hit the nail right on the head.

NOT A BOYS NAME has spent the most part of 2019 ensuring the melody, bass, and percussion of his new music is the best it can possibly be.

The musician openly says the single came at a time when he felt trapped… consumed by nothing. The song is about finding the catalyst to shake you up and take you where you want to go.

He explains: “I desperately needed a change and was searching for the courage to take that first step into the unknown…  It’s so easy to get stuck in a complacent place, a burning room… It’s so easy to say, this is fine… This song is about learning to say it’s not.”

Previous releases have gained insane amounts of popularity, and we expect no different with ‘Raise The Alarm’. Watch this artist… a tour is on its way!

Outloved set ambitious musical statement with debut single, ‘Dying to Leave’

The first thing you should know about Outloved is that they are loud. Loud to the point of earth-shattering.

The band, formed in the Gippsland region of Victoria by Jaydon Colvin (vocals) Luke Bakker (drums), Conor Kelly and Michael 'Beany' Beane (guitars) bring a strong post-rock sound that any fans of bands like Karnivool would relish, and that sound is more than ambitious on their debut track, ‘Dying to Leave.’

Teaming up with Ionei Heckenberg (Ocean Sleeper’s Guitarist/Vocalist), the band crafted six songs in just three days, an experience that proved a rewarding one. 

“Working with Ionei has been the best but hardest time I’ve had [recording],” Colvin said to Good Intent. “He pushed myself to be better than I’ve ever been before… Whether that be with lyrics, melodies or tracking guitar.

”Ionei’s songwriting abilities [are] why I leant towards working with him, not just because he’s great to work with. His ability to write music is incredible; I believe as he has definitely taught me a great deal along the way.”

That talent has carried through not only in writing but in the production. Opening with a droning synth bass and piano, ‘Dying to Leave’ soon gets going with Colvin crooning about being left alone, something that he struggles to deal with on his own.

When the chorus hits, a twenty-story wall of earth-shattering drums stuns the listener, and the synths intensify strongly. The blend of electronics and live instrumentation is what is most impressive, giving the track a gargantuan, ambitious feeling and foreboding sense of dread. 

Eventually, the songs coasts out on the chorus hook, with Colvin calling out to be saved, echoing into the ether. Combined with the synth bass, it makes for a haunting close. 

‘Dying to Leave’ is a haunted, tortured song, with its mental health themes feeling raw and upfront. Outloved have hit the listener with a bang right from their debut single, and it bodes well for whatever comes next. With a debut EP set for release in mid-2020, the sky could potentially be the limit for this exciting band.

“I cannot wait to release the new music; ‘Dying To Leave’ is only a small slice of the cake,” laughs Colvin.

GOOD FRIDAY - SPICIEST NEW TUNAS OF 18 OCT 2019

Good Friday: The feature series that shines a light on our favourite new releases from around Australia, New Zealand and Southeast Asia. Make sure you check out all the artists that featured this week up the top of our weekly playlist, which also includes some other jams we've been getting down to during the week.

1.     ‘My Girl’ – Doko

Doko have returned with their new highly-addictive indie single, ‘My Girl’

The tongue-in-cheek, 70’s style of “pop minimalism” works exceptionally as the band describes a boy-meets-girl love story.

Guitarist and songwriter Budo Miller says the track is a result of the band setting themselves a challenge to write a song using only three chords.
He explains: "A lot of the time when writing songs for a project of yours, you try to create something which is complex and intricate, thinking it’ll be objectively good… The problem is music isn’t objective and complexity doesn’t always mean it’s good." 

The decision to release the tune was made after they played it live, and discovered it was a crowd favourite. There’s an infectiousness to the track which will have you dancing instantaneously.

After the success of previous releases and tours, the Sydney rockers have indisputably reinforced their position in the Aussie music scene. You won’t want to miss this one!

2.     ‘Drones’ – Osaka Punch

Brisbane's mighty Osaka Punch are back with a bang, ‘Drones’

The heavy funk band’s fusion of pop and jazz sets them apart from most other heavy acts, including elements of humour and satire in their music.

Jack Muzak (Vocals and Keys), The Beat Cleaver (Drums), Reggie Tuggnuts (Bass) and Chrispy Town (Guitar) have steadily risen their profile as one of Australia’s most entertaining acts by touring relentlessly and releasing damn good tunes.

Jack says the track is about how some people stand for what’s right, and others don’t.

He adds: “While the Greta Thunbergs, Martin Luther Kings, and Michael Boltons of the world hold a light up to the injustices that plague our society, cretins still stand atop an Everest of evil, pissing in the wind… But when all the resources are gone, the last river has dried, and society has cannibalised itself to oblivion, they can rest upon their mountain, licking yellow snow cones, and wiping their arses with $100 bills."
If you haven't witnessed the 'Punch’ yet, you’ve got some ground to cover! After supporting the likes of The Butterfly Effect and Mammal, Osaka Punch are heading into 2020 on an upward trajectory. With more singles, albums, and tours on the way, Osaka Punch’s biggest year is yet to arrive.

3.     ‘More Than You Imagined’ – Vast Hill

From the unbelievable range of breakthrough musicians produced by Sydney every year, dream-pop duo Vast Hill are at the top of that list for 2019.

They have released their debut album More Than You Imagined, and the title track exhibits clever arrangement which cohesively gels with the melodies.

The snapshot of a kaleidoscopic, pastel-drenched world is incomparable to any other song out there right now. Thankfully, the retro vibes aren’t an overkill in the song, which often happens in modern music. The project has been executed with confidence and shimmering flair; traits needed by all artists in the competitive industry.

The fun, vibrant pair clearly know their direction and have the skillset to back it up. ‘More Than You Imagined’ spans soundscapes ranging from daydream-heavy to gorgeously immersive. So, go immerse yourself in the hazy vibes of Vast Hill today. 

4.     ‘Oh Man’ – Emma Bosworth

Emma Bosworth has always been an artist to perfectly capture a moment and to no surprise, she’s done it again.

The musician known for experimenting with her music has been at the heart of Brisbane’s music community for quite some time now, and her new single ‘Oh Man’ is proof why.
While the track is a pitch-perfect slice of writing, it’s a completely different vibe for Emma. ‘Oh Man’ includes gorgeous explosions of sounds that allow the vocals to take centre stage, radiating heavy Tame Impala and Go-Betweens feels.

Instead of giving answers about the song, Emma asks questions: “Is it a reflection of our current times and times passed, are we born into the wrong era? Can we rewrite the future? Do we romanticise about generations passed not knowing their limitations? Would we have been more than what we are now? Where have the “slow rituals” of the past gone? Who even peels pea pods back now? And how often do we sit around, listening to records, talking to our elders, where has community spirit gone?”

Since her 2014 debut solo album, Emma has managed to balance babies, collaborations, and her role as CEO for Green Music Australia.
This musician is taking all the right risks and is a powerful force to be reckoned with. Stream ‘Oh Man’ now.

5.     ‘Say It’ – Bad Juju

Melbourne outfit Bad Juju tackle the topic of mental health in their empowering new single ‘Say It’.

The group depict the priority of healing within the track, particularly when it comes to putting yourself first.

‘Say It’ opens with an eruption of urgent guitars and gritty, swirling vocals which speak honest lyrics.

Frontman Russell Holland says the song describes standing up to someone you disagree with.

“It’s about having the courage to say no, by sticking to your guns and saying what you believe in,” he adds.

Since the release of 2018’s ‘Hidden Desire’, the band have been performing alongside some impressive names, including Trophy Eyes, Dream On Dreamer, and Sienna Skies. The five piece know exactly how to make an entrance in a live setting by using hard-hitting, ‘90s inspired grunge, which draw similarities to Citizen, Superheaven, and The Offspring.

Bad Juju’s candid single ‘Say It’ hints at an extended release due out next year, and we could not be more excited.

PREMIERE: Coast & Ocean serves up existential new RnB jam

Homegrown talent Coast & Ocean is back with the perfect jam for the summer, ‘Daiz Gone.’

Currently touring Europe and playing Surfana Festival in the Netherlands alongside fellow Aussie acts Goldmember and True Vibenation, Coast & Ocean (Alex Johnson), has been having an on-fire 2019. It’s not hard to see why, with his last track ‘White Roses’ being released to considerable acclaim earlier this year.

However, this new track, which serves as a second tease towards a debut album, sees the RnB artist in a much more existential mindset; after four years on the road touring, this track sees Coast & Ocean contemplating the pursuit of happiness in a world obsessed by chasing wealth.

Produced by renowned Australian producer Tim Carr (Matt Corby, Urthboy, Julia Stone), the track opens with simple synths and echoing vocals, before a simple RnB beat introduces itself. This is a laidback affair filled with summer vibes and feels like a chill drive down the coast, with a view of the ocean in the windscreen.

Once Coast & Ocean’s vocals pop in, he begins to question what actually makes him happy, if he’d rather be rich and famous like Cruella de Vil, or be a beach-loving bloke who loves surfing and getting high.

The hook on the chorus is undeniably infectious, and it is complemented by the fact that the production is handled really well. Carr makes the instrumental muscle really flex on the chorus, but also dials it back on the verses to allow Coast & Ocean’s great verses to be front and centre.

This is complemented by gorgeous voice samples and a synth bass hanging in the background, and when they all fade out gradually to allow Coast & Ocean’s gorgeous singing to bring the track to a close, it really ties everything together to give the listener a warm feeling.

‘Daiz Gone’ is a track for the summer ahead, but one that has a solid heart at the core of its tune. Coast & Ocean has crafted a track that allows you to not only enjoy the immediate feelings of summery, lush soundscapes but also rewards returning listeners who will get more out of the themes of the track on repeated listening. Summer is on its way, and we have the perfect tune to accompany it. 

Majak Door Release Explosive New Tune with Guns Blazing

Majak Door have shared their massive new single ‘Shotgun’ along with an upcoming EP and tour announcement.

The track is one of the band’s first harder rock sounds that maintains their signature 60's psychedelia, dream pop style.

The band drew inspiration for the tune from a number of retro tones, including guitar work similar to that of Johnny Marr (The Smiths). 

Vocalist/guitarist of Majak Door Frank says the melody came about when they realised they wanted to write a song that was a bit darker than usual.

“We felt like we needed to do something in a minor key, something we could add a bit of drive to, something you might want to head-bang to," he explains.

The surf rockers are known to produce wavy, tropical lo-fi music, substantiated by their single 'Daisies’ released earlier this year.

Majak Door have grown considerably since 2014. Particularly after the decision made by Frank, Ronnie, and Louie to add Max the conga player to their live show.

As the year comes to a close, Majak Door are showing no signs of slowing down, announcing an EP to be revealed on Friday 8th November, and an upcoming tour across the East Coast in November. Get amongst it!

Güs Hits a Home Run with Enchanting New Single

Brisbane musician Güs AKA Angus Hayes has dropped a phenomenal new track, ‘Way You Make Me Feel (feat Silier)’, which sounds like a blend of Ziggy Alberts and Petit Biscuit.

The wholesome tune explores the ups and downs of a long-distance relationship, as the artist’s partner is Norwegian.

Güs explains: "This is a song I wrote for my partner Sunny… The distance has made our relationship particularly complicated at times".

The artist’s third track pays heavy homage to influences Nick Murphy/Chet Faker, RUFUS DU SOL, and Vancouver Sleep Clinic.

The artist was having trouble putting the pieces of the song together… until he met Norwegian house and lo-fi producer, Simen Eriksen AKA Silier.

“I sent Silier the track on a Sunday and he had a new mix back to me in a couple of days… [he] came over for an evening recording session, and the result is pretty close to what you hear today,” says Güs.

While his previous release ‘Sun’s Bright’ picked up close to 1000 monthly Spotify listeners over a few days, the new tune ‘Way You Make Me Feel (feat Silier)’ has completely shattered expectations by racking up more than 23,000 listens in a week of its release. Güs has garnered a solid following over the course of 2019 and plans to unleash his upcoming EP Therapy later this year.

The beachy electro producer has proved he means business, so without further ado, all aboard the Güs bus!

GOOD FRIDAY - SPICIEST NEW TUNAS OF 11 OCT 2019

Good Friday: The feature series that shines a light on our favourite new releases from around Australia, New Zealand and Southeast Asia. Make sure you check out all the artists that featured this week up the top of our weekly playlist, which also includes some other jams we've been getting down to during the week.

1.     ‘Let’s Stop Pretending’ - Sunday Estate

The Sunday Estate have unveiled their lively third single, ‘Let’s Stop Pretending’.

The fun-loving quintet have created the perfect tune for lovers of nostalgia pop, featuring hard hitting, head-banging percussion and catchy, funk-laden guitar riffs.

The song was formed swiftly, imitating the chaotic, nervous energy one feels when they’ve fallen for a friend.

Inspired by Netflix’s cult teen rom-com, ‘To All The Boys I’ve Loved Before’, the track follows the all too familiar narrative of two friends falling in love, but ignoring their feelings to preserve the friendship.

The warm familiarity of The Sunday Estate’s sound adds a new perspective to the reminiscent likes of The Cure, New Order, The Strokes and Phoenix.  

From originally starting as a joke back in 2017, The Sunday Estate have made huge strides in the right direction over the course of 2019, and there’s no sign of them slowing down.

To celebrate their recent success, The Sunday Estate will be performing at The Chippendale Hotel in Sydney on 24th October. ‘Let’s Stop Pretending’ is a taste of great things to come from The Sunday Estate. Get around it!

2.     ‘Jealous Love’ - Neon Tetra

After supporting the likes of Boy & Bear, Robbie Williams, Ball Park Music, and Vera Blue, Adelaide’s Neon Tetra have released a new luscious single, ‘Jealous Love’.

The bright sound unveils a new era for the group by forming an insatiable groove with fun lyricism and melodic strength. ‘Jealous Love’ is a refined culmination of the band’s influences, implemented with finesse.

The polished synths, dreamy production, and flawless lyricism constructs a solid soundscape which enables the band’s pop arrangements to take centre stage.

Neon Tetra have become one of South Australia’s most popular young bands through embracing dynamism, romanticism and maturity, and are stronger than ever on this new release.

There’s no doubt the new soaring stylistic twist on the sounds of the ‘70s and ‘80s has paid off dramatically for the four-piece. With many exciting things coming up, you’re going to want to hop on board the Neon Tetra bus before they go on tour!

3.     ‘Retribution’ - Droves

Droves have changed dramatically over the past year, embracing a fresh, layered soundscape in their new track ‘Retribution’.

The formerly Wollongong based, now Sydney group include an urgent percussive undercurrent and a banging chorus in the tune.

The band’s multiple vocalists know exactly how to execute a pounding, syncopated chant that compliments instrumental sections. Moreover, the song effectively cuts through an underlying tension with resplendent, reverberating guitars.

Droves frontman Phil Spiteri says the song was inspired by the complete free reign that the rich are given to dig up and spit out the planet.

“‘Retribution’ is the first instalment of many songs to come that challenge the established concept of society through an ironic blend of pop-hooks and dark imagery," he adds.

The quintet have gained truckloads of support in the last few months, specifically by opening for big names like RAAVE TAPES, San Mei, and Bakers Eddy, to name a few.

Droves will be playing exclusive shows in Sydney and Melbourne over the next month or two, so make sure you see them while you can!.

4.     ‘Fall Into You’ - Price Park

Melbourne producer Price Park joins forces with long-time collaborator Arty Ziff for a new spin on his latest release ‘Fall Into You’.

Fresh off the release of his track ‘Rise’, Price Park utilises lush production techniques to accentuate Harris’ exceptional vocal tone.

The track takes the listener on a smooth journey through a vibrant soundscape.

Price Park says the remix was the perfect opportunity to rework some Arty Ziff magic.

“’Fall Into You’ was a huge step forward for Arty Ziff and the development of his sound is super exciting… We’re very close friends and Mitch is close to a brother of mine, so it was only a matter of time before we worked together,” adds Price Park.

Being the breakout year for both artists, their modern sound sets them up nicely for the future.

“[It’s] incredible… The way he was able to add his sound with my sound and make it blend was amazing," says Arty Ziff.

Arty Ziff has always been afraid of a remix being better than the original… and he says it's happened. If that isn’t enough reason to give it a listen, I don’t know what is.

5.     ‘Can’t Keep Waiting’ – Parker

Award-winning visual artist, songwriter and musician Parker AKA Tash Parker gifts a new track, ‘Can’t Keep Waiting’.

The application of heavy, industrial percussion and repetitive synth patterns blended with Parker’s soft voice likens the song to those of Lana Del Rey.

‘Can’t Keep Waiting’ is infused with the power of primal human emotion, describing a grand leap into the unknown, away from everything comfortable and safe.

Parker says the single is about gathering the courage to be honest with yourself and letting go of all that is safe in order to grow.

“I believe it’s in the moments when we feel completely lost that we find the opportunity to discover something new about ourselves…  Each moment we have the ability to create ourselves anew,” she adds.

The electronically iridescent new single is a transcendental, meditative masterpiece that draws the listener into an ambient state of contemplation. Prepare to be physically, mentally, and spiritually awoken.

King Coyote release an energetic, well-rounded rock tune inspired by true love

The lads from King Coyote pay homage to vintage rock on their new head-banging jam, ‘Coca Cola’.

Featuring similar sounds to Queens of the Stone Age, Them Crooked Vultures and Jet, ‘Coca Cola’ is the kind of song that makes listeners slam their empty glass on the bar and bust a move.

King Coyote lead vocalist Sunny Rowlands explains: “Coca Cola was inspired by true love, about seeing the red flags and acting on it, before you lose too much time”.

Sunny (vocals), Jimmy (guitar, vocals), Stevie (drums, vocals), Josh (bass) and Mike (guitar) have effectively infused heady guitar riffs and hooky vocals into the song.

The track will be featured on their upcoming EP Wild which is set to release on November 1.

 Whilst it’s taken the band a while to produce the EP, they say it’s worth the wait because it shows how far they’ve developed musically.

“We’ve taken a bit of time with this EP, enjoying the road, the band bonding, the late nights, the long nights and all the in-between, helping us get the songs to the point that represents us truthfully as a band,” say King Coyote.

Along with their own shows, the rockers are supporting Grinspoon and Thirsty Merc in October and November. 

Ahead of the upcoming live performances, Sunny says: “The shows will be high energy, loud, and in your face – like a shot of coffee with your Red Bull!” 

Their new music exhibits a diverse style, executed by a group of seasoned musicians who know exactly who they are and what they represent. Listen to the absolute belter ‘Coca-Cola’ now.

GraceJean inject gorgeous nostalgia into new music

Melbourne duo GraceJean showcase a strong dynamic as both performers and songwriters on new single ‘Turn Away’.

Paired with the release of their debut album Long Black Road, the group apply heartfelt lyricism and lush arrangement to the single as they explore harmonic balance.

Making music since 2017, GraceJean’s Fiona Steele and Ailsa Mitchell flaunt their growth on the fresh record.

Through a phenomenal blend of rich harmonies, rhythmic guitars and poetic storytelling, the listener is invited to bop along.

The powerful lyricism in the track is a massive step up, so it’s no surprise when GraceJean say they’re in their happy place when making music.

“We find ourselves in our element in the depths of writing a song together; piecing it together word by word, one chord at a time, deliberating over nuance and imagery,” they say.

As their new music comes to life in an environment that nurtures positivity, GraceJean’s smooth, natural flow is indisputably heard.

As the girls explore a new chapter of artistry, their sound strides forward. There’s no denying GraceJean have found the formula for producing an impressive tune that captivates the listener. So, don’t ‘Turn Away’ from the Long Black Road.

Reverie serves up haunting dreamy synth-pop banger, ‘Gravity’

Sunshine Coast artist, Reverie, who’s been turning heads with her dreamy indie-pop soundscapes and haunting vocals, is back with a brand new single, Gravity.

The young artist released her debut single last year, Princes to considerable acclaim. While that first track showed Reverie as an exciting synth-pop prodigy, channeling the likes of old-school Madonna in her dreamy soundscapes, this sophomore effort looks to be a much more ambitious statement.

Opening with haunting vocals and clicking percussion, Reverie croons about being pulled into a false reality, one which corrupts her feelings and thoughts of people around her. The distorted production and background vocals make the song feel like it is being performed in a giant space, creating a haunting ambience.

However, once the synths start to build and launch into an explosive chorus with punchy chords, electronic percussion and noodling guitars hanging in the background, the song takes on a whole new sense of foreboding atmosphere. Reverie compares the false reality to a toxic environment, filled with distortion and confusion. And, like gravity, she cannot escape from this upside-down world.

The track eventually coasts out on these wubbing organs and the same clicking percussion heard at the beginning of the track, which brings the song to an unsettling close.

This a big step forward for Reverie, a track that really shows a statement of intent. Few pop artists are able to really nail ambient soundscapes, but with ‘Gravity’, you don’t just listen to it: you are in it, you feel it. If this track showcases where Reverie is going next, bring it on! There is so much treasure to be found in this artist’s haunting soundscapes. 

Saint Barae gets nostalgic on latest cut, ‘Power + Control’

Fresh off the release of his second single, ‘Boy From Mars’, Queensland electro-pop artist Saint Barae is back with an exciting new track ‘Power + Control.’

Becoming increasingly known for technicolour style that borrows heavily from electro-pop, Saint Barae has dazzled fans already several times this year, with his first two singles receiving critical acclaim for it’s blending of old-school eighties pop sounds with modern production and flair.

‘Power + Control’ represents a much more intimate affair compared to previous outings Barae has served us. A look into the mind of Barae coming to terms with his sexuality, the track is an ode to honesty and love of one’s self, and that shines in the power and positivity that emanates throughout the song.

Opening with heavy synths and Barae’s choirboy vocals, the track kicks into gear when 808 drums introduce themselves in the chorus. The groovy blend of sounds are ripped straight out of something Prince would have put together in his Purple Rain days.

Barae makes the track his own, singing about his heart being open and wanting to be loved like a god, which empowers the emotion of the song. During the final crescendo, the incorporation of synths to mimic the vocals is a really nice touch, something fans of Empire of the Sun would appreciate.

This track sees Saint Barae at his most honest, but with that, shows the artist’s integrity. This track has a confident, stare-you-right-in-the-eyes delivery that you can’t help but get swept up in, and the fact it is such a colourful display of synth-pop is the icing on the cake. With this track, Saint Barae confirms that it’s only going to be a matter of time before he hits it big. Keep your eyes on this artist, he’s going places.