Paul Kelly

PREMIERE: Circle release smooth, ambitious 'Another 69 Love Songs'

Enmore-based genre jumping duo Circle are back! 

With multiple records and an EP under their belt, as well as airplay across Australia and the US, you’d be forgiven for thinking that Circle might be resting on their laurels and sticking to what they know their audience likes. However, with their latest record, ‘Another 69 Love Songs’, they’ve done the exact opposite. 

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Clocking in at over an hour and containing twenty-three pulsing tracks, the duo have delivered a smooth, low-key, but super ambitious musical statement on love. Ranging from deep and meaningful tracks around broken relationships and confusing love interests to aloof, abstract musical jigs, those looking for an in depth experience in their music will find much to enjoy here. 

The opener ‘Ladies Night’ sets the stage beautifully, with smooth, low-key bass and drums, with the lyrics telling a story about it being ladies night on a Wednesday night, and relaxed vocals that suggest the character in the song is almost happy about being here. This is a secret to the album here: each song serves as a vignette around the experience of love.

The track ‘Tinder’ is a guitar driven, groovy affair backed by trumpets, with fascinating lyrics about a character who almost views the eponymous app as a romantic love interest, opening their heart to other people out there. Similarly, the track ‘I’m Sorry Baby’ is also a notable highlight, with a jazz-like quality to the production and lyrics centering around a confusing breakup, backed by glorious horns and pretty background vocals. The songs feel like tinkered, playful tracks, fans of artists like Gotye would appreciate. 

However, what is most impressive is that when the production doesn’t take a more indepth approach, the band still work in an interesting angle with every track, even when it’s a simpler affair: ‘Your Last Thought’ begins with a gorgeous uke, however the song becomes much more sinister when you find out it’s sung from the viewpoint of a guy who is creeping on a girl going to bed through the window.

Other favourites of the album include ‘My Biography’ when the duo enlist a guitar and backing vocals to tell a very aloof story about how the narrator’s lover wrote his biography, but left out so much stuff, or the quirky, upbeat ‘The Lourve is Calling’, the most Gotye-inspired track of the bunch. 

This is a fun, quirky and sometimes overwhelming project about love. But, fans will be rewarded, because despite it’s seemingly overwhelming length, Circle manages to cover the emotion in all its complexity and range. To say this record is ambitious is an understatement, and really plays to the musical abilities of the duo. A compelling, engrossing listen!

Sean Frazer tugs at your heartstrings in new album ‘The Morning Hours’

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Originally from Sydney, Frazer has been active within the music scene since releasing his debut record in 2014 and has spent most of his time since then performing with the likes of Jimmy Barnes, Daryl Braithwaite, Jebediah and Sheppard.

During this time, Frazer embarked on a tour across America, and it’s easy to see that the Land of the Free left an impression on him. Teaming up with producer Tim Carr (Matt Corby/Jay-Z) to create this record, Frazer delivers the listener a heartfelt collection of vignettes; telling stories of moving forward in life, friendship and the struggles of growing up.

Gently pulling you in from track one, this record is disarmingly charming and warm, a pick-me-up for those times in your life when you feel like your soul is being crushed. Despite his young age, Frazer conveys a kindness and maturity in his music that is undeniably heartfelt and makes you as a listener open up to his touching stories. This is reflected in the folk-rock style of this record, with sincere guitars leading many of the songs and adding a gorgeous country feel to the proceedings.

‘Missing the 1.45’ is an early highlight, bringing out the best of Frazer’s songwriting with a catchy chorus. The vocals are filled with warmth and mirth, as though Frazer is reminiscing joyfully about a night out with his friends. Songs like ‘Old Love’ and ‘Bricks & Mortar’ are similarly touching, with gorgeous, wholehearted production that is reminiscent of Bernard Fanning.

‘Talk’ however is a real highlight, bringing that country element to the forefront. The lyrics see Frazer reaching out to someone and looking to mend fences, which is refreshingly mature subject matter. This is also echoed on the guitar ballad ‘You Know I’, where Frazer croons about the passing of time, yet still will support the friend he’s singing about, no matter what.

By the time the record comes to its conclusion, it feels like we’ve been on an epic adventure filled with highs, lows, and redemption, much like the adventure Frazer has been on throughout these last few years. The most impressive element is at the core of these great guitar-driven tunes, the emotions expressed are strong, impactful and genuine.
This is an absolute delight of a record. If The Morning Hours is anything to go by, Sean Frazer looks set to join the likes of Alex Lloyd, Paul Kelly and Kasey Chambers as one of our country’s most heartfelt singer-songwriters. Make sure to give it a listen below.