PREMIERE: Chymes explores dark subject matter in new single, ‘GITY’

Australian singer/songwriter and multi-instrumentalist Chymes has grown a very healthy fanbase since her 2016 debut, and it’s about to get a whole lot bigger.

‘GITY’, produced by Cameron Taylor, is about trying to be everything for someone. Listeners are lured into the musician’s intimate world through the application of delicate yet powerful vocals.

“Trying to show someone you can be there, look after them, give them whatever they need… maybe it’s not the best thing.

“The song is kind of like a plea for help. When you’re holding on, waiting for someone to let you in but you’re just giving yourself away to someone who won’t let you get close to them", explains Chymes.

Opening with an entrancing vocal melody, Chymes delivers a unique brand of electronic-pop with ‘GITY’. The track is also infused with intimate lyrics which are juxtaposed with playful, flirtatious beats.

After receiving considerable radio attention and supporting the likes of Austen and Winston Surfshirt, there’s no doubt 2020 is going to be a pivotal year in Chymes already flourishing career.

Premiere: Desert Moons – Share Majestic New Cut ‘Come Over’

Full disclosure: I’m good friends with Simon and Jake Dobson of Desert Moons, and also help them out with promoting their music. No money is exchanged (just sharp pokes of my belly), I simply like their music and (sometimes) them as humans.

So, if you believe that impacts this review - jog on and head over to their Spotify or Apple Music to form your own opinion #transparency

For those of you happy to look past the nepotism, let me introduce you today to NSW Central Coast experimental-electronica pop duo, Desert Moons, who are premiering their dreamy psych-rock infused single, ‘Come Over’.

Opening with bouncing synths that recall the vibe of Childish Gambino’s ‘Redbone’, ‘Come Over’ projects itself swiftly from its funk-laden intro into a deep pit of fuzzed-out synths.

The dynamics wind down again for a fleeting moment, emphasising the striking vocals and harmony arrangements of Jake Dobson:“Will you come over, now that he’s gone? Will you come over, now that she’s gone?” he croons; a playful view of young love at its early stages and, at times, the frustrations of ego that accompany it.  

As the song progresses and continues to shift back and forth amongst its contrasting elements, it’s apparent the brothers have not only meticulously bridged the transition between the funk / R&B tinged verses and the thick psychedelic walls of Moog synthesisers – but have also tastefully melded the qualities of them together.

Jake’s hypnotic vocals glide along effortlessly with floating, fluttery synths, aligning in tandem perfectly to add the finishing touches on their strongest works to date.

The band has previously racked up a number of accolades, with props from the likes of KEXP, triple j, Rolling Stone Magazine, blahblahblahscience and various other tastemakers.

‘Come Over’ is out everywhere today, but since you’re here, I’ve made your life easy and included the Soundcloud link in this article.