Diamonds of Neptune blend psychedelic-pop with heavy synth tones on new single ‘Open the Door’

After the release of a self-titled EP in 2015, Melbourne indie-rock band Diamonds of Neptune have reemerged, eager and energised to take on the Australian music scene.  

The dreamy journey of ‘Open the Door’ begins with a funk-laden retro tune which invites listeners to let loose have a boogie. The flawless combination of vocals, guitars, synths, and percussion gives an undeniably catchy spin to the conventional indie-rock sound.  

The five-piece forget about the troubles of a normal working week in the track, expressing the sentiment when heading out the door for the weekend.

From supporting the likes of Northeast Party Hours, The Bennies, Stonefield, and The Belligerents to name a few, the group has developed significantly since forming in 2012.

The song from Diamonds of Neptune, including initial input from students, alumni, friends and connections of Box Hill Institute, is sure to inject a burst of energy into your day. Give ‘Open the Door’ a listen now!

DOOLIE begs for attention in playful new single

Queensland musician DOOLIE AKA Doolie Shadforth has created a playfully relatable new single, ‘Attention’, featuring South Australian electronic pop-rap duo China Roses.

DOOLIE, the 21-year-old artist who is known to blend pop, R&B and electronica, expresses the frustration that comes with not getting attention from your crush.

The artist explains: “I wanted every line in this song to be relatable; it’s all about that person you're trying to reach and just can’t quite catch”.

The contrast of DOOLIE’s voice with that of Jes from China Roses sounds completely flawless. DOOLIE says “Having China Roses feature felt like that obsessive back and forth my girlfriends and I would have about someone we liked”.

The rhythm switch up when China Roses comes in before the final chorus is an undeniable track highlight. Jes, a fan of DOOLIE, says they [China Roses] were really excited to be a part of the track. She also added that she felt really inspired by DOOLIE’s lyrics and imagery while working with her. 

“It was one of those times where everything felt like it clicked… Really smooth production, a great hook and a relatable theme,” says Jes.

Melbourne producer GXNXVS compliments the cheeky vocals substantially by introducing a smooth R&B melody with heavy, pulsing bass.

The cute, sad and needy vibes within ‘Attention’ must be heard. Stream DOOLIE’s fresh tune below.

Mijo Biscan explores the concept of mortality in new single

Melbourne musician Mijo Biscan’s desire to extract the gold in every moment can be heard within most of his songs, specifically his new single ‘You’ve Got Your Life’.

After supporting the likes of Goyte, Missy Higgins, Clare Bowditch and Tommy Emmanuel, the artist includes a range of intimate, warm sounds in the fresh indie tune that is sure to catch your ear.

Mijo created the track in the “shockingly quiet” country of Iceland. While engulfed in nature, the artist was able to form the origin for a creative shift which saw his thoughts manifest into songs.

As he urges listeners to treasure life, the resonant vocal sends the clear message that we are here, now, alive… temporarily. Despite sounding like a light, fun tune, the sobering subject matter of mortality asks all listeners the deep question: you’ve got your life… so what are you going to do with it?

Mijo explains: “Through the loss of a close friend I reflected on the fact that he was gone, forever, yet I was still here… There is a chasm between being merely alive, and fully living a life… This song implores you to seek the latter.”

The musician says his recent songs have been created in a turbulent time, and even though “[He’s] a real optimist at heart… a fun guy… even fun guys have feelings”.

As a songwriter willing to go the extra mile, you can tell Mijo Biscan summons every fibre of his being for this colossal performance. So, instead of being wrapped up in the past or future, stream ‘You’ve Got Your Life’ now.

Vancouver Sleep Clinic releases new single infused with ethereal vocals and moody production

Vancouver Sleep Clinic AKA Tim Bettinson gives a completely new meaning to dreamy ambience with new single, ‘Bad Dream’.

While indisputably ambient, the ballad is also deeply emotive; filled to the brim with warm but eerie sounds to recollect a bad dream.

As the first track of the new album, Onwards to Zion set to be released on 18th October 2019, the artist takes a more acoustic direction with the single compared to previous releases. ‘Bad Dream’ signifies the challenging navigation through the highs and lows of life while maintaining faith and purpose.

Along with the rest of the album, ‘Bad Dream’ was created in Bali, Indonesia, isolated from civilisation. With a limited set-up of guitars, drums and synths, the musician found himself making music in an environment which embraced creativity and freedom.



Every element of the track is perfectly woven together in a unified and unassuming way, demonstrating Vancouver Sleep Clinic’s professional finesse. This song seriously has more layers than a Queenslander in a snow storm.

As Bettinson explores a newfound clarity and sense of purpose, there’s no better time to give the artist a listen and put him at the top of your playlist. Stream ‘Bad Dream’ now.

Dom Youdan creates indie anthem filled with heart and sentiment

Sydney-based musician Dom Youdan celebrates the revelations that come with the passing of time in his new single ‘Pockets’.

Through featuring similar sounds to The 1975 and The Kite String Tangle, it’s no surprise that the new single is getting incredible amounts of traction within music scene.

The sonically beautiful moments catch you completely off guard as the track surges with pop sensibilities. In the substantially personal effort, the musician took inspiration from a close friend who was navigating a failing relationship.

The ear-tickling song is a journey of emotional cleansing. Dom Youdan explains: “The song is built around holding onto the things we cherish dearly, whether they’re good or bad, and keeping them so secret that eventually, not even we can find them. It speaks to moving on but also struggling to let go.” 

While the listener becomes absorbed by the mood of the tune, the warm melodies and intimate vocals combined with passionate lyrics stir sentiment. The intelligent method used to create the lyrical narrative is unquestionably evident and validated by the euphoric yet tender auditory moments.

As Dom Youdan struts into the second half of 2019, the artist is bringing ‘Pockets’ to Sydney stages this month. You won’t want to miss out!

Caitlin Medcalf Takes Over Purple Sneakers Blog

We had a chat to the new Managing Editor of Purple Sneakers Caitlin Medcalf about her takeover of one of Australia’s most prominent and influential niche music hubs. 

Based around a young and enthusiastic team of contributors, Purple Sneakers prides itself as being ‘Trusted for Taste’. Whether they are writing about new music, sharing it over the airwaves, playing it in a DJ set, or giving it a live platform at their parties; the Purple Sneakers team are committed to imparting the work of tasteful, young artists with the world.

GI: Can you tell us a bit about yourself?

Caitlin Medcalf: I’m very lucky to have grown up in an environment where creativity was celebrated, and I think this has extended into all aspects of my working and personal life. I’ve been freelance writing for seven years now, a radio host at FBi Radio for five years and a DJ for two and a half years. I occasionally throw parties on the side, manage Purple Sneakers DJs and produce my own music (nothing to show for it yet, but hopefully I’ll have something by the time the year is out hehe).

GI: How long have you been working for Purple Sneakers, and what were you doing before taking the reins?

CM: I’ve been with Purple Sneakers since mid-2012, so almost 7 years to the day. I took over as Managing Editor from our previous ME, Emma Jones in September last year. I honestly had huge shoes to fill, Emma’s a star at everything that she does. Her passion for Australian music and ensuring PS’ coverage is as diverse as it is today is something that continually inspires me, and I still often look to her for advice.

Before taking on the role as Managing Editor, I was only a few months out of my [university] degree, working in [hospitality] almost full-time, running my own blog Pretty Broad, DJing and really just planning my next move, so for this opportunity to come along, it wasn’t just a case of it being the right fit, but it was the right time too.

GI: When did you find out you’d be taking over, and what was your initial reaction?

CM: It’s funny how this sort of came to fruition, because it had been snowballing for a few months. When Emma left and I took over, everything was kind of up in the air with a few things happening behind the scenes and PS’ founder and owner, Martin Novosel, was a bit unsure what to do next. He called me up and asked if I wanted to take over Emma’s job for a few months as the interim editor while he worked some things out.

A few months down the line, sometime around February this year, I got a call from Martin asking to meet. We met up at the Surf Club in Redfern for a few beers and to talk about PS future, and he long story short, offered me the company.

It was honestly very surprising, it’s not every day that you get an offer to take over a company with such a rich and culturally embedded history. It felt a bit like fate.

GI: How have you been finding it so far? Is it much of a step up compared to what you were previously doing?

CM: We’re in a bit of a transition period at the moment, plus with the birthday happening so soon it’s all been a bit of a blur, but surprisingly it hasn’t been too much different so far. Prior to Martin asking me to take over, I was running most of the day-to-day, including the site, radio show, PSDJs and putting together the birthday event with our friends at UNDR ctrl.

These last few months, I’ve been having these big conversations with myself and Martin about my vision for the brand and where I’d like to take it over the next few months and years. He’s been a great mentor in taking an idea, running with it and doing what you can to make it happen.

GI: Considering the significant role PS has in the music industry, what do you think you’ll need to do in the long run to uphold its reputation and purpose?

CM: I’m a firm believer in your actions speaking louder than your words and I think this will be key for PS going into its next phase. I want us to put on more live shows, give artists the opportunity to tell their story via the website, put on a few free panels where people can come and learn from others in the industry and do our best to give back to the community that we’ve been able to thrive in for so long.

Despite the many iterations of PS, I think the one thing that’s remained our most core value is passion and I would love for that to remain central in everything that we do.

Make sure you keep up to date with the latest PS news and events here: http://www.purplesneakers.com.au/

PRINS limbos between head and heart in new RNB pop track ‘3AM’

Pop musician Alannah PRINS has well and truly brought a powerful intimacy on ‘3AM’, establishing herself impressively and proving she has no intention of leaving the industry any time soon.  

Her funk-laden, seductive sound, reminiscent of Daft Punk, is distinctive in its own right. 

The Auckland born singer/songwriter, actor, dancer and model, has had a passion for the arts from the innocent age of 5.

Previous dance track ‘Notion’ received an overwhelmingly warm response, landing the artist some radio airplay earlier in the year.

Always one to focus on the visual presentation of her music as well as the sound, PRINS told Happy Magazine earlier in the year: “The visual side is very important to me… The whole package is what I want to give to people especially when it comes to being versatility. I’m planning on showing that with each new track I release.

“With the amount of social media influence and digital platforms, the image can change a lot of things. This can definitely be used in both positive and negative aspects.”

The young, determined PRINS is here to stay and bound to blow up in 2019. She plans to release a ton of new music and perform a heap of live sets, so make sure you give ‘3AM’ a listen now.

Brad Jordan recalls the golden years of youth on new single ‘Come Down’

Sydney based musician Brad Jordan adds his own sound to the Australian hip-hop scene on new cleverly put together track ‘Come Down’.

Previously part of the hip-hop group Rapture, Brad’s vocal ability and quirky production style is highlighted in his first track of 2019.

A warm, textured top line combined with a fast beat can be heard within the tune, reminiscing the golden years of youth and the freedom it bought. The tune recalls “late nights in high school… sneaking out past your parents to go out and party”.

Written during a time of “great contemplation,” the artist had to deeply observe the past to create his future.

Starting out by making bedroom beats with his mates at the age of 17, Brad Jordan has produced an extremely impressive feel good song, ‘Come Down’. Stream it now.

Sunset City ride through the highs and lows of life on new single ‘Take My Hours’

The new retro-inspired feel good tune from Gold Coast based Sunset City is about chasing dreams and desires.

The vocals glisten at the song’s offset before big bass is introduced amid a mist of assorted string sounds.

Sunset City have undoubtedly cemented their position as one of the most infectious bands around at the moment, blending alternative and electronic with a pop sensibility.

Debuting in 2018 with a feature on Bombs Away’s single, ‘Let You Down’, the quartet are getting a knack for delivering charismatic tunes.

After cultivating a following that spans the USA, Europe, Asia, New Zealand and Australia during 2018, band members Parker Rose, Rob Johnson, Matt Scully and Brendan Ramnath, Sunset City kick-started their 2019 with the release of their second single, ‘Forget It All’ feat. Samantha Jade – an upbeat summer tune that is guaranteed to get you dancing.

Make sure you give the contagiously catchy ‘Take My Hours’ a listen now, it’s sure to get you moving.

Good Friday - Hottest New Releases #5

Good Friday: the feature series that shines a light on the hottest new releases from around Australia. Make sure you check out all the artists that featured in our fifth edition!

1.     ‘Breakdown’ - Obseen

Obseen has returned with new single ‘Breakdown’, showcasing his effortlessly honest storytelling and signature electronic production.

After the release of his debut EP Envy Me, the artist infuses playful lyrics into his new single which are paired with his signature smooth falsetto.

Obseen says he has written a lot of songs about mental issues and social media in the past but wanted to write about the stresses of society for the new single.

“I wanted to characterise the feeling of mental pressure and anxiety in a fun way in an effort to destigmatise these conversations," he adds.

Obseen's ability to craft soulful electronic music is indisputably inimitable, and you can expect new music, new shows and new concepts from him in 2019. Check him out now.

2.     ‘Give Me Your Love’ - La Felix [words by Nick Wasiliev]

One of the most exciting indie-producers around, La Felix, has brought harmonic bliss on new EDM banger ‘Give Me Your Love’.

After scoring it big in 2017 with ‘Delicious’, the enigmatic artist has been having a busy 2019 so far, with three singles in ‘Drama’, ‘Real Thing’ and ‘Too Many Lies’ released over the last few months. However, this new single he’s dropped is a notable change of pace.

‘Give Me Your Love’ is simple in its execution, but there is a lot more to this track than meets the eye. An atmospheric, EDM banger, it sees La Felix and his most emotive, serving as a masterclass in the effects of adding elements and bringing them together to create a smooth, sublime sense of harmony.

Launching into a crisp beat with light guitars strumming in time, there is a sense of  old-school funk to the proceedings. However, once La Felix introduces himself into the mix with vocoder vocals, echoing the titular mantra into oblivion, the track takes on a more nocturnal, and compelling, feel.

The bass brings some much-needed weight to the dynamics of the song, and when it breaks into pulsating synths in the instrumental, the song brings it’s repetitive, but no less infectious, melody front and centre.

This is a song that nails its atmosphere and feel, and to do that with so many simple elements is a testament to La Felix’s musical abilities, and his mastery of production. Bring on whatever he delivers next!

3.     Underneath It All - Hein Cooper

After supporting James Bay and Lukas Graham, Hein Cooper has released his new album Underneath It All. 

Born and raised Australian, Cooper has been living in Montreal for a few years. The new record is as exuberant as it gets as the artist embodies every note and line; tearing down walls to focus on the heart and soul of the entire initiative.

Cooper insists he’s determined to dive deep within his bare soul, with a string of songs filled with new hope and positivity after some much-needed time off in-between studio recording. One of the tracks on the album, ‘Like That’, deserves a special mention for its vocal range and exemplary rhythm.

Framed in folk with obvious pop sensibilities and RnB vibes, the album draws inspiration from Bon Iver, Frank Ocean, Rye-X, Radiohead and Coldplay. Listen to Hein Cooper's new album Underneath It All today.

 4.     ‘Keep On Coming Back’ - Wagons

Wagons have made a triumphant return to music with their first track in five years, ‘Keep On Coming Back’.

The band effectively hone in on their hard-hitting, outlaw inspired, swamp rock madness while still stomping together as a joint force.

The unquestionably catchy new single is a melodic masterpiece and incorporates all the elements of the classic Wagons sound, with a fresh spiralling twist.

The track is a pensive collection of recurring memories, ear-worms, strange habits, and scars, describing the way a single experience or place can prompt old memories that alter the future.  

The group have been compared to musical outlaws Johnny Cash and Nick Cave, and it’s clear to see why. Listen to ‘Keep On Coming Back’ now and see them on their Australian tour in September.

 5.     ‘Say Enough (ft. Jack Spadez)’ - Frankie Crea

Perth-based musican Frankie Crea utilises melodic synths and blistering guitar solos in new song ‘Say Enough (ft. Jack Spadez)’.

The tune is a refreshing blend of Rock/Pop/Indie that stresses the significance of living in the moment. Jack Spadez provides exemplary backup vocals and clever lyricism. 

"[I asked Jack] to jump on the track and do a verse… He came back to me a day later with lyrics and I instantly liked… It turned out to be a cool little fun collab,” says Frankie.

Although somewhat more poppy than Frankie’s previous releases, the style is still executed with an infectious energy. The atmospheric sounds and upbeat tempo alongside Frankie’s textured vocals compliment the song.

Frankie adds: “Soon as I came up with basic ideas for this song and laid down a demo of it I knew I sort of had something unique, different and fresh.”

Frankie Crea’s new single Say Enough (feat. Jack Spadez) from Frankie’s upcoming debut album is out now on all music platforms.

Salt & Steel empower listeners on fiery new single ‘The Beast, The Devil and Me’

Featuring an unapologetic grinding rock sound driven by loud, layered guitars, ‘The Beast, The Devil and Me’ by Gold Coast’s Salt & Steel emphasizes the significance of embracing one’s inner wildfire.

The vocalist communicates a strange yet clear message within the song, describing how she sets free a beast like creature and befriends the devil who's on his own path to redemption. 

“These characters symbolise our primal instincts and the darkness that we each hold inside,” says the musician.

Salt & Steel remind listeners that accepting their whole selves means accepting their darkness too, and there’s nothing wrong with that.
They add: “By connecting, embracing and accepting our full selves, we will become stronger and more resilient… We are taught to act, look and live a certain way to fit into society, but we think that you should be able to be who you are, dance how you feel and live the life that your soul craves.”

We need more artists like female duo Salt & Steel for their unquestionable desire to inspire through music, encouraging fans to seek their inner truth. Stream this insanely powerful song now, and check out the duo’s tour dates below.

SALT & STEEL TOUR DATES 

JUNE 8 | Howling Moon Festival | Port Macquarie

JUNE 14 | Crow Street Creative | Gladstone

JUNE 15 | Club Limbo | Brisbane

JUNE 16 | The Shared | Yandina

JUNE 22 | Beyond The Blues Festival | Tweed Heads

JUNE 29 | Miami Marketta | Gold Coast

JULY 5 | The Wickham | Newcastle

JULY 7 | Hawkesbury Hotel | Windsor

JULY 10 | The Drunken Poet (Acoustic) | Melbourne

JULY 11 | Bombay Rock | Melbourne

JULY 14 | The Taproom (Shedshaker Brewing) | Castlemaine

JULY 18 | Frankie’s Pizza | Sydney

JULY 20 | Jamberoo Music Festival | Jamberoo

JULY 22 | Jindabyne Bowling Club | Jindabyne

JULY 24 | Jindabyne Bowling Club | Jindabyne

AUGUST 4 | Russell’s Pizza | Adelaide

Good Friday - Hottest New Releases #4

Good Friday: the feature series that shines a light on the hottest new releases from around Australia. Keep reading to see which six artists were chosen for our fourth edition!

1.     ‘Tear It Down’ - All The Colours

Melbourne band All The Colours have returned with intoxicating new single ‘Tear It Down’ ahead of their upcoming album VOL.3. 

Bristling music layered with melodic charm, the track heralds a new chapter for the band, one marked by a desire for more insatiable alt-rock sounds. 

“Tear it down and start again,” goes the infectious thoroughline of the new single; the kind that can get you dancing at the front of the stage or soothe you into quiet contemplation. 

“‘Tear It Down’ is a classic four-chord alt-rock soft verse and heavy chorus anthem, taking themes from Pixies and Nirvana and realising them through the lens of the modern era,” said All The Colours.

Following the tireless efforts of the band to ensure the punchy guitars and intense drum sections are on point, the end result is slick, finessed and goes down like the smoothest of whiskeys.

The original, confident and extremely talented group are on tour this winter in Melbourne and Sydney to warm the fans with their hot new songs. Listen to All The Colours now.

2.     ‘Can’t Help It’ - Sleepy Lizard

Adelaide’s Sleepy Lizard entice and lull the listener on new jam, ‘Can’t Help It’.

The track is capable of both simmering in the background and weaving its own path distinct from the melody. It’s clear the five-piece have utilised their signature ‘70s ballad throwback vibes to seduce the listener.

‘Can’t Help It’ is perfect for the lusting, the lovelorn and the tragic romantics at heart. Sleepy Lizard vocalist Bill Meegan’s rich vocal tone creates a nostalgically dreamy sentiment; knowing one would be better off moving on, but failing to overcome blind love.

Meegan explains: “The song is about the difficulty faced trying to move on after a breakup. It’s the tale of a dope-sick, love junkie”.  

Drawing similarities to Client Liaison, Touch Sensitive and Set Mo, Sleepy Lizard’s track comprises of layered harmonies and rich arrangements.

Sleepy Lizard have undeniably planned a strong framework for success. Listen to the funk-laden tune ‘Can’t Help It’ below.

3.     ‘Good At Waiting’ – WILSN

 WILSN’s Self Titled EP that has been awaited with extreme eagerness is finally available to stream, and the featured track ‘Good At Waiting’ is an unquestionable gem.

The equally passionate and emotional artist has taken her time to do things on her own terms, resulting in a powerful piece of work which connects to listeners on a deeper level. 

The 6-track EP is WILSN’s very own combination of soul and pop, including songs that will get stuck in your head for days.

The soulful artist is only going to get bigger in the coming years for the insane amount of control and creative license present in everything she produces.

Influenced by Aretha Franklin, Amy Winehouse, Alicia Keys, and Lauryn Hill, the Melbourne-based singer knows exactly how to make her brand of soul-influenced pop come to life.

WILSN has always had the ability to hypnotise audiences with her vocal prowess and commanding live presence while staying true to her style, which is heard in her track ‘Good At Waiting’.

The old soul that adds contemporary flare to every track, WILSN, has killed it on her new EP. Have a listen below.

4.     ‘I Just Think That You’re Cute’ – Scarlet Drive 

Perth-based alternative rockers Scarlet Drive have released their new bold single ‘I Just Think That You’re Cute’.

After two years of touring Western Australia with their staple blend of punk, funk and reggae, the band has started exploring new boundaries in the indie pop and punk realm.

Vocalist Michael ‘Milli’ Millimaci, lead guitarist Michael ‘Barry’ Madafferi and bassist Maddey ‘Pocket-Rocket’ Eccleston have created a personal, rhythmic bop that includes tongue-in-cheek lyrics.

‘I Just Think That You’re Cute’ aims to poke fun at relationships that are based on physical attraction rather than emotional connection.

Scarlet Drive have begun preparing an onslaught of new releases for the back end of 2019. This light-hearted bop is not one you want to miss.

5.     ‘Stockholm’ – Akurei 

Following his debut EP August released in 2018, Akurei has released a playfully chilled new single, ‘Stockholm’.

Joining forces with long-time collaborator Golden Vessel, the track is the first taste of the artist’s second EP which is scheduled to release later this year.

Akurei began writing the track that includes a warm sound palette full of crisp beats, glitching guitars and ambient pads when he was on a solo trip across Europe last year. 

Akurei adds: “The song came together around a recording I’d done on my phone of the guitar part before I left… I wrote most of this song while staying in a hostel in Berlin and would have to quickly put down vocal takes between roommates returning to the shared room I was in.

“Lyrically, it covers loneliness and the longing for connection you encounter while travelling alone.”

Stream the surprising sombre song ‘Stockholm’ now, it’s worth a listen.

6.     ‘Just Call’ – Latchy

Multi-faceted musician from Sydney, Latchy, has released his new synth-pop track ‘Just Call’.

The tune from Lachlan Stanley is a shining procurement toward his more personal musings, combining weird electronic sensibilities with a singular sound. 

While Latchy is a project for personal endeavours, Stanley is also part of the dance-inspired group Feather Touch.
The musician has held nothing back in 'Just Call'. Initially written as a break-up track, the song was altered during its creation to be more like a love letter to Australia… linking to Latchy’s theme of self-discovery through travel. The tune also utilises organic instrumentation while putting the artist’s catchily unique voice in the spotlight.
Latchy explains: "I was worried about keeping my personal life hidden and separate from my music but… I wanted to find a voice that was more authentically mine".  

Sounds of Passion Pit and Friendly Fires are heard in the song for its flourishing synths and bouncing overtones.
'Just Call' is only just the beginning for Latchy, as he has many more singles up his sleeve for the remainder of 2019. We cannot wait.

Tamworth-raised Charlie Collins releases her enchantingly emotive debut album, 'Snowpine'

Describing the musical journey she’s been on since a child, Snowpine exposes who Charlie Collins is, who she has loved, what she’s been through, and what she struggles with. The artist adds:

“I hope you enjoy my life book, my story, and maybe understand me a little better.”

Collins, raised on a record collection of storytelling, was getting onto the stage of the local pub at 11-years-old. Every track on the vulnerable body of work is an authentic, unfiltered portrayal of real-life experiences.

The release of ‘Please Let Me Go’ in late May received an overwhelmingly encouraging response, setting her up well for the release of her debut record. The controlled balance within every track makes you forget the artist is only a year into her professional career.

The powerful third track of the LP, ‘Who’s Gonna Save You Now’, encompasses echoing guitars and contemplative lyrics which create an intimate connection between musician and listener.

‘Space between’, as raw as the emotions it evokes, utilises an elegantly downtempo acoustic melody for Collins’ vocals to float above. ‘Unwell’ is similar to ‘Space between’ in its sound and subject matter, though it still manages to find a beautiful contrast through acute instrumentation. Both songs reveal a gentler side to Collins’ ever-expanding discography of alt-country infused indie rock.

The energetic album, filled to the brim with strong vocals, catchy hooks, and harmonica melodies, is a captivating gem from start to finish.

Charlie Collins joined Gang of Youths on their record-breaking sold out Say Yes To Life tour in 2018, and was commended for her incredible performances. Additionally, she also performed at Gang Of Youth’s self-curated festival in Brisbane, A More Perfect Union, alongside Jack River, Luca Brasi, Thelma Plum, and Publique. Collins kicked off her 2019 with stunning sets at St. Jerome’s Laneway Festival following the release of third single ‘Beautifully Blind’.

Moreover, Charlie Collins has recently announced she’ll be supporting Kasey Chambers on her massive Australian tour in September 2019. Make sure you listen to Snowpine below; it’s not one to miss.

Live Review – Jack River Sugar Mountain Ball, Brisbane – 2019

Following a HUGE 2018 which saw the release of her debut album Sugar Mountain, many festival appearances, and three ARIA nominations, Jack River launched her Sugar Mountain Ball Tour at The Tivoli in Brisbane on Friday, 31 May 2019.

The event, including the gorgeously hypnotic voice of Eves Karydas and dreamy vibes of San Mei, was nothing like I’ve ever experienced before; a nostalgic wonderland infused with enchantingly vintage décor. From the prom-inspired photo wall to the sparkly string hanging from the stage ceiling, Jack made the night one to remember.

San Mei’s performance of ‘Heaven’ was a crowd favourite which got everyone into a dancing mood with sizzling guitar riffs. The bold track from the Gold Coast band, featuring equally heavy and light musical components, was the perfect way to set the tone for the night.

As people steadily arrived wearing dreamy prom outfits, the venue transformed into a ballroom reminiscent of a `90s high school dance.

The next act was the magnificent Eves Karydas. Originally from Brisbane before moving to England at the age of 21, she was welcomed home with open arms. In her first performance at The Tivoli, she shared intimate interactions with the audience throughout her set.  

If her songs ‘Hush’ and ‘Couch’ weren’t enough to get the audience singing along, her electronic cover of Post Malone and Swae Lee’s ‘Sunflower’ sure did the trick. Predictably closing with hit ‘Further Than The Planes Fly’, Eves indisputably proved why she was the perfect supporting act for Jack River.

In the time it took me to write a few notes and get a drink after her set, Eves Karydas had already made her way to the merch stand and was meeting fans; demonstrating the value she has for her followers. After getting a photo with the pop princess, I noticed the lights began to reduce along with the volume of crowd conversations. American wild west music blasted through the speakers… I, along with everyone else, knew it was time for the headliner.

Jack River received a rockstar welcome as she waltzed onto stage wearing a sparky vintage suit, animal print boots, and a tiara. 

After a seemingly gradual start to the set, the powerful chorus of ‘Confess’ was enough to shift the show into gear.

As the concert progressed, Jack expressed her gratitude to the crowd by explaining the somewhat dark origins of Sugar Mountain and the role music has in her life. The kind-hearted musician even held the hand of girls in the front row during her more personal songs.

In true Sugar Mountain fashion, members of the band began handing out fairy floss (cotton candy) to members of the mosh pit, making the night even more special than what it already was.

Maintaining the indie-rock fun throughout the entire set, the encore performance of ‘Palo Alto’ had the crowd bopping in every corner of the venue.

Although slightly disappointing there was no cover of Savage Garden’s ‘Truly Madly Deeply’ in the set, the order of tunes created an immersive experience filled with dancing, crying, and healing.

The future is extraordinarily bright for Jack River, and after witnessing her Sugar Mountain Ball Tour, I can promise she is only going to get sweeter. 

Tour Dates:

JUNE 7 | The Enmore Theatre | Sydney

JUNE 8 | Metropolis Fremantle | Perth

JUNE 14 | The Gov | Adelaide

Seaside overcome social anxiety on new indie-pop single, ‘Sycamore’

Byron Bay dream-pop quartet Seaside explain the significance of overcoming social anxiety on new single, ‘Sycamore’.

Lead vocalist Darcy Dexter’s experiences with self-doubt were used as inspiration for the track. Darcy explains: 

“Life can put you in positions that make us uncomfortable,

“The line “Ghosts in my house” is a metaphor for allowing something/some situation to weave itself into the wires of your mind, leaving them tangled, making us feel like we’re being forced to explain ourselves”.

The track produced by Dylan Nash features an upbeat melody paired with undeniably charismatic energy.

Formed in 2016, Seaside are touring through Australia with Good Doogs at the moment, so make sure you don’t miss them.

Seaside have completely smashed it with their catchy new piece of indie-pop. Listen to ‘Sycamore’ below.

Tour Dates:

JUNE 6 | Lion Arts Factory | Adelaide

JUNE 8 | Stay Gold | Melbourne

JUNE 14 | The Lansdowne | Sydney

JUNE 15 | Brightside | Brisbane

JUNE 21 | Northern | Byron Bay

Carousel Club's new track 'Lost It' is full of bubbly character

Melbourne-based band Carousel Club have released their infectiously catchy new track, ‘Lost It’.

The guitar pop band’s mixture of spicy guitar riffs, silky synth lines and catchy melodies is sure to get stuck in your head for the rest of the day.  

There is an unbelievable amount of character and life in ‘Lost It’; the result of carefully layered components.

The percussion and vocals are a jam from the get-go, inviting the listener to bop along.

After the positive response to their previous single ‘Bitter’, 2019 is looking to be a very exciting year for the musicians.

‘Lost It’ is a huge step in the right direction for the band; exhibiting colossal improvement from their other releases. Don’t miss this one.

Dan Webb's new single 'Haloperidol' is the work of a genius

Dan Webb has released his new synth-heavy instrumental single ‘Haloperidol’. 

The track was first written on April 29th 2017; time stamped to stay organised among the hundreds of ideas, demos and offcuts which don’t make the cut.

After already exploring rock, pop, prog, electronica, jazz, reggae, soul, funk and beyond during his extensive career, the artist is never one to do the same thing twice.  

“The concept of the album can be traced back as far as 2015,” Webb reveals.

His previous music has been hailed as “the work of a genius,” and ‘Haloperidol’ is nothing short of that.

Check out the electronically catchy, futuristic-sounding single below.

Psychedelic Porn Crumpets take music scene by storm with new album ‘And Now For The Whatchamacallit’

And now for the long-awaited third album from Psychedelic Porn Crumpets… ‘And Now For The Whatchamacallit’. 

After selling out their last Australian and UK tours and receiving global recognition for previous releases, the Perth band and their undeniably epic psych sound have taken the music scene by storm.

Their new LP takes the listener on a psychedelic journey, chopping and changing between sky-high riffs and elaborate vocal layers. The album is a culmination of experiences from the last few chaotic years for the band - a testament to the Psychedelic Porn Crumpets’ unrelenting, vivacious attitude and hungry approach to music. The energy captured on the album undoubtedly mirrors that of the band’s live presence.

Song five ‘Native Tongue’ includes an enticing and engaging blend of guitars, fuzzed out melodies, and swirling vocals, while ‘Social Candy’ features an urgency in lead vocalist Jack McEwan’s lyrics and maintains a constantly switching pace for its four-minutes-and-20-seconds duration. The line “Commence ignition for face control” around the 3:54 mark hits hard.

The wailing guitars, heavy rhythms, and off-the-wall lyricism of ‘And Now For The Whatchamacallit’ also demonstrates the dynamic band’s ability to diversify sonically.

Psychedelic Porn Crumpets say it best themselves:

“The original concept was to take a 1930’s carnival that had been re-imagined for future generations, a collage of Punch and Judy, Carousels and coconut shy’s that progresses in musical concepts and travels with the listener.

“Then as we started traveling, I was swept off into my own kind of circus, the odyssey of touring life. Large nights out, larger characters, drunken recollections of foreign cities and rabbit hole-ing into insanity”.

The first track of the album, January’s ‘Keen For Kick Ons?’ was met with an overwhelmingly positive response for its catchy rhythm and general fun nature.

The kings of blistering psych rock continued to assert their dominance with ‘Bill’s Mandolin’ in April, featuring manic guitar riffs and a trippy interlude. The track was a fitting continuation of pace from previous singles ‘Keen For Kick Ons’, ‘Social Candy’ and ‘My Friend’s A Liquid’. Self-described by the Crumpets as “a sprawling slap of psychedelia, trudging guitars, and screeching vocals,” ‘Bill’s Mandolin’ is an undeniable banger for any rock lover. 

‘Hymn For A Droid’, the third song of the LP, similarly slaps you in the face with an insane guitar riff before launching straight into heavy percussion. I can only imagine the state of the mosh when that chorus is played live. One of my favourites on the record.

The lads exhibit their instrumental range in ‘Fields, Woods, Time’. Although slightly more lowkey than the other tunes on the album, the fourth track of the LP isn’t any less of a banger.

Released earlier in the year, the head-banging groove of single ‘My Friend’s A Liquid’ recalls some seriously chilled vibes that are sure to get you in a good mood.

The Porn Crumpets’ signature soaring sound is on full display during ‘When In Rome’, which also incorporates a steady and memorable melody.

‘Digital Hunger’ is the undeniable outlier within the LP, and it could not be more perfect. A much calmer, hazed-out end caps off this masterful blend of sounds and rich psych textures.

The final song of the record, ‘Dezi’s Adventure’, begins with a pleasant bopping noise that recalls an old-fashioned carnival. The uniquely curated musical atmosphere makes the song stand out from any other you’ve heard within the genre.

Psychedelic Porn Crumpets have an extremely exciting set of Australian tour dates commencing in June, including the incomparable Splendour In The Grass. See all dates below. The band has undoubtably brought their A-game on their third album and we can’t wait to hear what’s next.

JUNE 12 | Lion Arts Factory | Adelaide 

JUNE 13 | The Triffid | Brisbane

JUNE 14 | The Croxton Bandroom | Melbourne

JUNE 15 | The Factory Theatre | Sydney

JUNE 21 | Astor Theatre | Perth

Good Friday - Hottest New Releases #3

Good Friday: the feature series that shines a light on the hottest new releases from around Australia. Keep reading to see who made the cut for our third edition!

1.     ‘Conditions’ - Jayden McGrath

Emerging pop artist Jayden McGrath explores acceptance in the face of unfortunate circumstances on his debut single ‘Conditions’. 

‘Conditions’ is sure to attract fans through its intriguing blend of pop, rock, and RnB. Driving percussion and intricate guitar work compliment the sweeping synthesisers and distinctive vocals. 

Jayden says: 

“’Conditions’ is a track that came up for me in a rather dark period of my life… after some big changes, I started to question the meaning and purpose of my life… at the time it felt like every step forward sent me two steps back.  

“’Conditions’ is a kind of morbid acceptance of everything being dull for me at this point in time”.

The song is a fitting debut for the artist, paving a bright future for what’s to come. Jayden McGrath will be celebrating the release of ‘Conditions’ with a headline show at Melbourne’s Evelyn Hotel on June 7.

2.     ‘Walkabout’ – Parkville

From the Dandenong Ranges of Victoria, Parkville turn melancholy into a joyfully relatable sing-along on their new single ‘Walkabout’.

The heartfelt song by the folk-pop trio about falling out of touch with friends was inspired by violinist Dylan Knur's experiences with dissolving friendships and messy breakups.

Subverting expectations with its contemporary eclectic instrumental arrangement, ‘Walkabout’ successfully trades the manic Latin-rock of recent single ‘Rooks’ for feel-good folk-pop.

After busking on the streets of Melbourne, the band developed a polished Mumford & Sons style emphasized by their three-part vocal harmonies and soaring violin riffs.

Parkville's live shows have become “nothing short of spectacular,” bringing international support opportunities with high-profile acts like Kodaline and Saint Sister. Listen to the trio’s new single ‘Walkabout’ below.

3.      ‘Warrior Games’ – KAYEX

Aiming to eliminate fear and bring confidence back into people’s lives, electronic duo KAYEX have released their timeless new single ‘Warrior Games’.

Co-written and produced by Lionel Towers (Gypsy & The Cat), and mastered by Mike Marsh (Calvin Harris, Chemical Brothers), the funky indie-pop track has an addictively unique quality. Released during Crooked Colours’ tour which KAYEX are supporting, it radiates warmth and originality.

KAYEX members Palassi Kailis and Tom Derick explain: 

“We wrote ‘Warrior Games’ while we were dealing with a few creative and personal obstacles…  When people listen to this song, we want them to feel as if they have no fear but complete confidence in their path, whatever that may be. Trust the process and have faith in the work you’ve put in.”

The track has now been paired a with a colourful and quirky new music video, complimenting throwback sonics through featuring a vintage ‘80s aesthetic.

Drawing inspiration from Daft Punk, Kanye West and Chance the Rapper, KAYEX have indisputably asserted themselves into the Australian music scene in 2019.

4.     ‘The Other Side’ – Radolescent

The fun-loving larrikins from Gold Coast band Radolescent have released their cheeky new track ‘The Other Side’. 

The track is perfect to get your mosh onto; a certified surfy banger which won’t disappoint. Far from a one-trick-pony, the track also explores some pretty sombre subject matter.

"Our favourite beach break on the coast has been under the threat of corporate development for the past ten years… This song represents a movement by locals, to SAVE OUR SPIT," Radolescent explain.

Band members Isaac Atkinson (guitarist and vocalist), Lachlan Barker (bassist), Kurt Pearce (drummer), and Kerrod Chant (guitarist) live and breathe the sea, scum, and sweat of surfers; all of which are evident in their distinctive sound.

Now, with the upcoming release of their debut album ‘Prehab’ and an East Coast tour over June and July, Radolescent are ready to take on the country.

"We go as hard if we played to 10 people as we would to 150”, they add.

2019 is Radolescent’s year to take their music to places it’s never been previously, and we can’t wait to hear more.

5.     ‘Drowning’ - Güs

Brisbane's Angus Hayes has launched his solo project Güs with a glistening debut single ‘Drowning’.

The track conjures memories of summers gone by, inviting the listener to dance like no one is watching.

Hidden beneath the upbeat, happy melody, however, the band discusses some unexpectedly heavy subject matter.
"’Drowning’ was written at a time during which I had recently lost a loved one… To the casual listener, drowning is a track that will get your body grooving, but there is deeper meaning to be found for those that look," said Hayes. 
Hayes, no stranger to the music scene, made the decision to venture on his own after previously playing in bands Gus & Jim and Blood Bank. In fact, Gus & Jim’s ‘Boyhood’ charted at #1 in the Netherlands, and Blood Bank played at highly regarded Brisbane venues such as The Triffid. 

Hayes explains: "This is something I’ve been working on for a long time, and it feels amazing to finally bring everything together at a level which I’m happy to send off into the big bad world." 
Check out the ambient electronic sounds of ‘Drowning’ now.

Good Friday - Hottest New Releases #2

Good Friday: the feature series that shines a light on the hottest new releases from around Australia. Keep reading to see who made the cut for our second edition!

1.     ‘Glass Arms’ – FEELDS 

Melbourne songwriter/producer Feelds (James Seymour) has produced yet another immersive soundscape with new single ‘Glass Arms’.

The artist invites the listener to be a part of an evocative journey, using vivid imagery and complex storytelling to bring each piece of music to life.

Seymour describes the construction of 'Glass Arms':

“A Eureka moment that spilt out during post-Bigsound downtime in a Brisbane studio late last year… a rare moment that had to be captured instantly”.

Dubbed a “woozy slice of indie that will leave you intoxicated”, Feelds explores the ideas surrounding trust and conforming to the usual paths in life within the song.

Give the soothing new single ‘Glass Arms’ a listen below.

2.     ‘I Never (Strings Version) feat. Dan Sultan’ – The Bamboos

One of Australia’s best soul acts The Bamboos team up with Dan Sultan on an extensive new version of their 2012 single ‘I Never’.

The track encapsulates a lush setting with sweeping strings, woodwind and brass which coaxes both an epic and intimate vibe. 

The tune comes ahead of the new album filled with orchestral reinventions ‘By Special Arrangement’ set to release August 2nd.

The Bamboos member Lance Ferguson says:

“I have wanted to work with Dan Sultan for many years now… there is definitely something unique about his artistry and I regard him as one of this country’s finest vocalists”.

This is one you are not going to want to miss.

 3.     ‘Dreams’ – Sunshine & The Disco Faith Choir 

Sunshine & The Disco Faith Choir have brought a completely new sound to a Fleetwood Mac cover in ‘Dreams’.

After cutting her teeth on Melbourne’s club circuit, Sunshine has continued to combine global influences with her house and techno roots. The energising track is filled to the brim with musical textures, taking a soft rock classic into a banging rave realm.  

A foot-stomping, heart-pounding anthem for any occasion, Sunshine & The Disco Faith Choir have brought their ‘Dreams’ to reality in regional Victoria.

 4.     ‘Too Many Lies’ – La Félix

New Zealand producer La Félix has returned with yet another disco-pop electro-funk banger, ‘Too Many Lies’.

Joined by Los Angeles based vocalist Max Green, the bright up-tempo summertime single features melodic piano chords, nu disco synthesizers, and catchy guitar work to depict a lie-plagued relationship.

Co-writing the song via email, Green said: 

“Too Many Lies is a song about integrity. In an attempt to reduce anxiety in my life, I’ve personally found the most relief through being honest to both yourself and others. In this particular song, I’m talking about a relationship that was at one point very strong but lost its weight after too many lies were told.”

La Félix’s layered bass and rhythm echoes an anthemic sentiment that invites the listener to dance like no one is watching.

After taking nine months to create the track, ‘Too Many Lies’ is finally available to the public and we can’t wait for you to hear it.

5.     ‘Jane Doe’ - Wallace 

Sydney-based Kiwi artist Wallace shares her first release of 2019, ‘Jane Doe’.

Following a handful of acclaimed singles, the soulful vocalist’s new track is a call to women to unashamedly find their name and claim their place.

Wallace explores feminist ideals and her interest in true crime stories within the tune:
“I had the many mantras of a podcast I’m obsessed with, ‘My Favourite Murder’ running through my mind while writing the lyrics. They implore women to “F*ck Politeness" in uncomfortable situations and trust your intuition when your inner alarm is going off.”  

Described as a vibrant mosaic of soul, hip-hop and pop, the musician’s artistic identity has become globally recognisable though her ability to captivate an audience.  

As well as being able to listen to ‘Jane Doe’ below, you can experience Wallace’s trademark jazz-influenced vocals and magnetic presence live when she goes on tour with I Know Leopard during May and June.