PREMIERE: Mijo Biscan lets loose on ‘We’ve Got The Numbers’

Melbourne-based singer-songwriter Mijo Biscan has been a busy man throughout 2019. Touring with the likes of Goyte, Missy Higgins, Clare Bowditch and Tommy Emmanuel, Mijo dropped the critically acclaimed track ‘You’ve Got Your Life’ earlier this year, with audiences from triple j unearthed, Amplify and Culture Eater praising his approach to surf/indie rock sonics.

Now, with the year almost at its end, Mijo is finishing on a high with this massive new release, ‘We’ve Got The Numbers’, a track that is one of Mijo’s most animalistic performances, both musically and lyrically.

Launching into pumping riffs and background noise, the listener is then hit with a wall of rollicking jungle drums, walls of guitars and bass filling out the soundscape. Mijo busts in on this, singing about being surrounded by other slaves, and how when we indeed have the numbers, or you are in a majority that is inspired to make change, you are capable of achieving anything.

The strong anti-authoritarian themes permeate throughout the track, exploring notions of freedom, as it delivers an empowering message that we are more powerful than we think.

The addition of background singers, vocal snippets and violins in the instrumental are a gorgeous touch, fleshing out the track with a feeling of grandiosity. Fittingly, Mijo lets the drums lead the song out as it reaches a glorious, crescendoing climax.

There is a sense of urgency captured within ‘We’ve Got The Numbers’ which above all else, feels like a plea for sanity as the world gets more and more out of control. It’s a track that shows Mijo Biscan’s talent for songwriting, but more notably, really shows how ambitious he is when it comes to his music. We can’t wait to see what’s next for the artist!

PREMIERE: GÜS RADIATES SMOOTH SERENITY ON ‘DO YOU FEEL ME’

And now for one of the most prolific upcoming names in the indie-electronic scene… Güs.

The beachy musician also known as Angus Hayes has written a new track ‘Do You Feel Me’, which can only be described as strikingly beautiful.

An ambiently peaceful soundscape is fulfilled as the song describes finding intimacy on a night out.

“It’s set in a bar and is about all the joy, pain and fallout that can come with [a night out].

“I was channelling Chet faker [Nick Murphy] for this one and as such I think it’s a pretty groovy, sexy song,” Güs explains.

The artist recently played his first ever solo gig at Brisbane’s The Triffid and while it was completely nerve-racking, he says it was super cool.

“I’m looking forward to gigging much more next year now that I have a solid audience base,” he adds.

Güs’ motivation to write the new tune formed during success of his previous release, ‘Way You Make Me Feel (Feat. Silier)’. The third single blew up instantly, receiving adds to Spotify’s New Music Fridays AU & NZ and Just Chill playlists. The track now has more than 120,000 Spotify streams. So, it’s no surprise Silier was invited to write the bassline and percussion for ‘Do You Feel Me’.

After working with Carmouflage Rose and producer James Angus, Güs will be jetting off to Norway in the next couple of weeks to work on his next EP, The Oslo Sessions.

Above all, Hayes hopes the fresh tune gets some bodies shaking. The track officially releases tomorrow, so be the first to listen to ‘Do You Feel Me’ right here!

GOOD FRIDAY - SPICIEST NEW TUNAS OF 22 NOV 2019

Good Friday: The feature series that shines a light on our favourite new releases from around Australia, New Zealand and Southeast Asia. Make sure you check out all the artists that featured this week up the top of our weekly playlist, which also includes some other jams we've been getting down to during the week.

1.     ‘Want Me’ - r.em.edy

Melbourne’s 20-year-old Singer/Songwriter/Rapper and Producer r.em.edy has filled her new music with emotional flare.

Of her five track EP, ‘Want Me’ portrays the artist’s unspoken authenticity, rawness and honesty the most. Through applying pulsing synths, angelic vocals, and relatable lyrics, the track accurately represents what it means to be young and in love.

r.em.edy’s musical direction is heavily influenced by J.Cole, Amy Winehouse, Doja Cat and Banks. While her sound is mainly hip-hop and R&B, touches of jazz, soul and alternative pop are present.

Most tracks in the new EP stem from passive aggression, realisation, playfulness, to frustration and weakness. The artist has created a refined collection of songs, despite the obstacles along the way.

“I kind of just locked myself in my room every day, with my sh**ty laptop, a mic, no tutorials, and a lot of coffee. It gives you a taste of my mind these past couple years, the highs the lows and all the in-betweens. I just hope the people that need to hear these songs hear them,” r.em.edy concludes.

2.     ‘Headache’ – Okay Dane

Credit: Bubble Productions

Having spent the majority of 2019 honing their craft and consistently elevating their stage presence, Okay Dane are back with a new single, ‘Headache’.

The expertly crafted tune is taken from their forthcoming debut EP Alienation, set to release November 29. ‘Headache’s chorus builds in a way that feels simultaneously fresh and reminiscent of your favourite rock acts.

Okay Dane say the single is the most pissed off and frenetic they’ve ever been on a recording.

“It felt really good to record and is always a blast to play live. Lyrically it’s the most to the point and juvenile we’ve been too, which was heaps of fun. At its heart it’s about lashing out and being frustrated with someone who can’t be reasoned with,” they explain.

The fast-paced, energetic example of rock is a great indicator of what is still to come from Okay Dane. The trio has embraced a new chaotic brand of crunching alt-rock, and we cannot wait to hear more.

3.     ‘If It’s About Love’ – Nick Pes 

Sydney based musician Nick Pes exhibits a new, infectious style of indie electronica on ‘If It’s About Love’.

After the huge success of his 2013 debut ‘I Remember’ and singles to follow, Nick has undoubtedly poured his heart and soul into the new track.

Nick told AAA Backstage ‘If It’s About Love’ is very special because he felt like he was able to break through some emotional barriers when he made it.

“I remember that I wrote it so quickly and when I played back the demo for the first time I burst into tears. When I first sang the words to the chorus, I remember thinking “where did that come from?” – somehow writing this song unlocked a part of me that I had buried really deep.

“It’s about heartbreak, but a long slow heartbreak, to the point where you’ve become exhausted with the idea of love,” Nick adds.

The artist has been spending most of 2019 composing new music, playing shows around his hometown and inspiring a dedicated fan base.

The earnest, hook-filled chorus of ‘If It’s About Love’ is bound to get stuck in your head before you know it. Listen now!

4.     ‘Olympia’ - Howlite

Howlite lift us up with the lush, atmospheric sounds of their new single ‘Olympia’.

The elemental dreamscape of ‘Olympia’ teases their forthcoming EP Not Here and builds on the ethereal, indie foundations of previous release ‘Reducer’.

‘Olympia’ evocatively describes the male gaze, and how one can subvert it. Moreover, the lyrical prowess set against a backdrop of dark pop instrumentation demonstrates the newfound confidence of the band.

“We now have a strong sense of confidence and focus with the release of 'Olympia', which offers an even bigger slice of where our sound is heading,” says vocalist Alison Thom.

The blend of soaring vocals and electronic undertones captivate in the same vein as London Grammar, Agnes Obel and The XX.

Howlite will be playing a handful of shows across the southern region of the country over the next few months, see them when you can!

5.     ‘Yellow, Blue & Grey’ - Fan Girl

After a relatively quiet 2018 following the tragic passing of band member and best friend Jack Wood, Melbourne’s rock outfit Fan Girl have made a stellar return with ‘Yellow, Blue & Grey’.

As the second release of 2019, the single centres around being left behind in life, both physically and in time. It includes a balance of angelic, ethereal backing vocals, and demonic, gritty guitars.

Frontman Noah Harris explains: “It sits in a weird place between wistfulness and nostalgia. A lot of the imagery, as well as the narrative, runs parallel with the friendship between, and story of, Vincent Van Gogh and Paul Gaugin.”

Fan Girl are known for their electric, urgent live presence, particularly after supporting the likes of Catfish & The Bottlemen, Birds Of Tokyo and The Vines.

As the band begin to release an exhilarating new style of music, it seems clear they also have a newfound appreciation for each other.

“After Jack’s passing, we put everything on hold, but ‘Yellow, Blue & Grey’ was the first thing we eventually started chipping away at. It just felt right,” says guitarist Vincent McIntyre.

GOOD FRIDAY - SPICIEST NEW TUNAS OF 15 NOV 2019

Good Friday: The feature series that shines a light on our favourite new releases from around Australia, New Zealand and Southeast Asia. Make sure you check out all the artists that featured this week up the top of our weekly playlist, which also includes some other jams we've been getting down to during the week.

1. ‘Mexico’ - The Sea Gypsies [words by Charlie Dally-Watkins]

The Sea Gypsies bring a hypnotic wash of verby guitars, heartfelt lyrics, and laid-back vibes on their new single ‘Mexico’.

The song about a wild trip to Mexico which left frontman Luke Martin with Dengue Fever is perfect for the incoming Australian summer.

“Some people say that a holiday changes an individual. After experiencing Mexico, Luke would agree,” say The Sea Gypsies.

Through the combination of reggae, indie-rock, and humour, ‘Mexico’ is a track that will be stuck in your head before you know it.

Following on from their debut album Movements, the five-piece are known for their electric live presence and charmingly emotive songwriting.

The impressive new funk-laden groove is joined with summer tour dates for 2020. So, make sure you check out the spellbinding gypsies of the sea.

2. ‘Something Simple’ - Kitten Heel [words by Charlie Dally-Watkins]

The new synth, guitar-heavy music from Kitten Heel is equal parts floor-filler and heartbreaker.

‘Something Simple’ explores a hypnotic focus point within a long-term relationship. The song finds itself adamant of the wonderful simplicity that bypasses the difficulties of long relationships.

The five-piece explain: “Keeping relationships beautiful and consistent is challenging and at those torturous depths, when affection starts to wander, so too does the curious eye. Being committed to your partner is challenging, there’s no ifs or buts about it.”

Kitten Heel members are quite simply driven by a motivation to make the best music they possibly can. As big indie-dance fans themselves, they are able to use that authentic spirit during the production process of their music.

“We feel that’s part of why it’s come together so well, because we had one mission – to make music that returned the emotions we had in way we haven’t heard them,” say Kitten Heel.

Listen to the purveyors of swagger and masters of synth today.

3. ‘Chika’ – Intriguant [words by Max Melit]

Ever-evolving Singapore-based producer/DJ Intriguant has released a texture-rich single, ‘Chika’.

The man behind it all, Louis Quek, has injected the song full of complex beats and satisfyingly well-produced loops.

He explains: “I wanted to go back to where I started. The underground club scene has always been family to me. I grew up from there and expanded into other areas.”

The track shows off a very layered, almost industrial rhythm, with haunting pads and soothing synths filling out the background.

‘Chika’ is an unquestionably powerful song. The focus on club beats keeps it moving, but Intriguant’s seasoned hand in blending atmospheric and tactile sounds never makes the listening experience linear. You can hear the influence of artists like Yosi Horikawa, Long Arm, and Nujabes in this ability to blend rhythm with atmosphere, and melody with complex layering.

Keep a close eye on the dates of one of Singapore’s best underground acts, as Australian gigs aren’t out of the question. Listen to Intriguant’s ‘Chika’ now.

4. ‘Entangled’ – JPL ft. Alexa Harley [words by Nick Wasiliev]

JPL is back with ‘Entangled’, bringing his electronic and indie-pop rots back for the masses!

Having first turned heads in 2018 with his hit ‘Speak Up’, this new tune might be his most subtle and nuanced yet. Bringing on the talented Alexa Harley to duet with him, JPL delivers a low-key smooth track about love and its complications.

Opening with reverbing, colourful glockenspiel, a smooth electronic kick drum introduces itself on the chorus, with a subtle bass filling up the soundscape to compliment the crackling production. JPL and Harley duet beautifully here about being entangled, delivering mesmerising harmonies. 

Harley then takes over for the verses, singing about wanting to run away from negative feelings and hide, just to keep this happy, blissful, loving vibe going. She calls out to her significant other to help her escape, though the hollow production implies this might not be a healthy choice to run from these problems. 

JPL has given the track enough lyrical bite and nuance to make the listener to want to come back for a deeper understanding. ‘Entangled’ is a compelling meditation on love, and one has us excited for the forthcoming EP.

5. ‘Catch Your Breath’ – Vlossom [words by Charlie Dally-Watkins]

Vlossom, the newly birthed collaboration between Australian musicians Nick Littlemore and Alister Wright, have released an absolute banger in ‘Catch Your Breath’.

The track is almost multi-sensory… possessed of its own distinct texture, temperature, colour, and perfume. By unfolding in hypnotic rhythms and ethereal vocal work, the song speaks to a metaphorical loss of composure. This also creates a wondrous soundscape both beautifully futuristic and profoundly elemental

Littlemore clarifies: “It’s that feeling of seeing a thing of absolute beauty, whether it’s a girl or guy or plant or animal, and being brought into a heightened reality.

“For the most part our everyday lives are fairly menial, so those moments when we do lose our breath are really something to dwell on.”

In each new piece that Vlossom create, the energy manifests as a benevolent effervescence, one that ultimately leaves the listener with a renewed sense of wonder.

“If we can impart anything to people, I hope it’s that feeling of losing yourself in a moment, stepping outside of yourself in the best imaginable way,” says Littlemore.

We can’t wait to hear what they have in store for their debut EP, set to release in 2020.

GOOD FRIDAY - SPICIEST NEW TUNAS OF 8 NOV 2019

Good Friday: The feature series that shines a light on our favourite new releases from around Australia, New Zealand and Southeast Asia. Make sure you check out all the artists that featured this week up the top of our weekly playlist, which also includes some other jams we've been getting down to during the week.

1.     ‘Kill Me With Your Love’ - Jaguar Jonze

Jaguar Jonze AKA Deena Lynch laments the downsides to love in her new track, ‘Kill Me With Your Love’.

The multi-talented Brisbane creative applies rock sensibilities with soaring vocals and dance rhythms to the song, but there lies a deeper meaning.
Deena says ‘Kill Me With Your Love’ is about a toxic relationship addiction, particularly the way we sometimes tell ourselves that a relationship will be perfect and everything we’ve ever dreamed of.

“It’s the process of trying to find a fix to the addiction but continuing to stay around for the emotional payoffs… You balance your odds and make bets you can’t afford to lose, but consistently lose anyway as the relationship continues to fall deeper into toxicity.

“For a long time, toxic love was where I felt most safe, because it was all I ever knew,” she adds.

But wait… there’s more! Jaguar Jonze has announced she’ll be supporting The Vanns, Ali Barter and Lime Cordiale before the close of 2019. Get amongst it!

2.     ‘Sunny Day’ – Homestate

Pop-punk five-piece Homestate are back with another catchy banger, ‘Sunny Day’.

The band aim to give listeners a voice where they feel they might not have one. 

The punk vibes heard within the single have been pulled straight from the early 2000’s and are inspired by long nights spent awake overthinking your every move.

Specifically, it’s about taking time to be the right person for the sake of someone else.

Lead singer Chad Fraser explains: "After a bad run of relationships, coming into something that’s finally good for you can be hard to adjust to.

“Life is hard, love is even harder, but without both, nothing would be worthwhile".

Since forming in 2017, the Perth group have drawn influence from the likes of The Wonder Years, State Champs and The Story So Far 

While their 2018 album A World of Second Chances demonstrated the aspects of a quality punk band, ‘Sunny Day’ will take their status even further.

3.     ‘Bruises’ – Split Feed

Punk rock quartet Split Feed urge listeners to deflect negativity in their new EP Second Skin.

In particular, ‘Bruises’ has a focus on being strong in times of weakness.

Frontman Joe Willis says their new music addresses overcoming hardships and building resilience to set your best foot forward.
“I’ve always seen myself as quite a weak person, and I’ve always found it difficult to speak my mind in times where I have needed to…it’s something I’ve been trying to get together for a long time,” he says.

Influences like PUP, The Story So Far and Tiny Moving Parts come through in Split Feed’s sound, particularly in their energetic live performances.

Split Feed have an ability to combine hard-hitting, infectious melodies with poignant lyricism, which is indisputably used in the new EP.

After selling out every show of their headline single tour in 2018, Split Feed have spent the majority of 2019 writing and releasing new music.

4.     Villain’ – Bad Pony

Sydney’s Bad Pony are back, louder than ever.

Their new single ‘Villain’ is strong, vibrant, and the perfect way for the band to jump back into the live scene.

The fresh tuna is a snapshot of Bad Pony’s undeniable passion on stage, featuring punchy guitars and strong melodies. It was inspired by the struggles and darkness in Melbourne observed by songwriter Jarred Young.

Young says: “‘Villain’ is an existentialist walk down Grey St. in St.Kilda. It’s a street renowned for night walkers, homelessness and drugs. I used to go through there at 5:30am in the morning every day to get to work and encountered people with some pretty serious drug and mental health problems. The song is about those people who are too often wrongly villainised.”

Bad Pony’s adrenaline-fuelled, chaotic style of music has won fans over across the nation and they’re showing no signs of slowing down as we head into 2020. They’ve also announced new tour dates for January and February, and we could not be keener.

5.     ‘Under My Skin’ – Liv Li

After spending some time in East Timor with Forces Entertainment performing for troops, Canberra’s Liv Li has returned with a new single, ‘Under My Skin’.

Liv Li has released a few solo tracks over the course of her career, but this dreamy pop gem exploring the emotions that shadow the breakdown of a relationship is one to remember.
The seasoned musician explains: "Under my Skin is a reminder of the fragility and excitement of a new relationship and how intoxicating it can be."

‘Under My Skin’ includes solitary piano melodies, powerful percussion, and a devastating vocal that will stop you in your tracks.

Liv Li’s debut EP Oh My Lullaby was met with extreme positivity, landing herself as a finalist in both the Australian Music OZ Independent Awards and a winner Best EP for the world wide independent music awards.

If you need uplifting, this is the song for you. If you don’t need uplifting, this is still the song for you. Listen now.

PREMIERE: Kavi delivers ode to broken promises on ‘That’s a Lie!’

2019 has been a huge year for Kavi, the young musician from Melbourne.

Turning heads with his collaborations with Louskylar’s single ‘Stop, Go’, and Drest’s ‘Still a Kid’ mixtape, Kavi has utilised these experiences to not only build up a growing legion of fans, but also to find his own identity as an artist. 

His new single produced by Balaram finds a musician that delivers a level of maturity well beyond his years, serving as a dense, brooding ode to broken promises and lies. If this is a clear taste of the forthcoming EP, Kavi has hit the jackpot. 

Starting up with warm guitars, a subtle kick-drum introduces itself with Kavi’s lyrics in ‘That’s A Lie!’, as he begins to admit that over a long period of time, he’s been steadily losing his mind.

When the chorus hits, a wall of distorted synths and bass plunge you into a warped, intoxicated soundscape, as the lyrics turn into a yearning for connection. The production really is front-and-centre, with breathy chords hanging in the background adding a real feeling of anxiety to the proceedings.

The wall of synths subdues momentarily in the instrumental, but the lyrics almost reflect the sickly sweet nature of the instrumentation, calling out more lies and questions.

What’s great here to see is the clear progression Kavi has made from his days collaborating to stand on his own two feet. This is an artist that is growing, maturing, and delivering music that keeps getting better and better, and the best thing is, he’s only just beginning. This is a track you don’t want to miss!

PREMIERE: Fragile Animals unveil texturally rich song, ‘Waiting’

In the new track, the Queensland trio carefully blend a tapestry of distortion with hard-hitting drums and dream-like vocals, nodding to a shoegaze influence. The interesting flavour is supported by a wonderfully sincere guitar riff and vocal melody.

There’s a wonderful balance between atmospheric and catchy sounds throughout the hook-filled song. The drums are crunchy, bass punchy, and lead guitar cutting. However, there’s still a distinct sombreness to the track, and you never lose sight of Victoria Jenkins’ voice. 

The influence of bands like Slowdive and Ride can be heard and appreciated in this pull towards the shoegaze melancholy.

Jenkins explains: “It just felt so messed up. How have we created a society where so many of us are legitimately not coping? For me, this song lyrically carries the weight of all of that, but was also me looking in the mirror genuinely wondering if I was okay."

Expect more touring from the Fragile Animals. They have one eye on Australia and the other on the rest of the world. Have the first listen to ‘Waiting’ here before it’s officially released tomorrow!

GOOD FRIDAY - SPICIEST NEW TUNAS OF 1 NOV 2019

Good Friday: The feature series that shines a light on our favourite new releases from around Australia, New Zealand and Southeast Asia. Make sure you check out all the artists that featured this week up the top of our weekly playlist, which also includes some other jams we've been getting down to during the week.

1.     ‘OMG’ - Phoebe Sinclair [words by Charlie Dally-Watkins]

Phoebe Sinclair infuses soulful vocals, intoxicating beats and scintillating lyricism into her new track, ‘OMG’.

The self-confessed emotional wreck oozes with power and confidence, and has an undeniably infectious energy.

The electro-pop banger is about taking ownership of your mistakes, but not letting them define you.

Sinclair says she wrote the song in her driveway and had the idea to use a one-note melody for the phrase “oh my god” surrounded with lyrics realising the mistakes she’d been making.

“It was great having a chance to revisit the lyrics with the benefit of hindsight; being able to take ownership of what I’d done without having it define me like it might’ve while it was so fresh," she says.

Backed by a 4-piece all girl ensemble, the artist’s music bites with a deep-rooted understanding of herself, what she stands for, and how her experiences can connect to listeners.

Phoebe Sinclair has an addictively captivating quality to her sound and knows exactly how to put on a show which leaves hearts in throats and melodies in minds. Listen to her new single ‘OMG’ now.

2.     ‘Be Cool’ - Kult Kyss [words by Charlie Dally-Watkins]

Melbourne’s Kult Kyss have unveiled a new hypnotic single, ‘Be Cool’

The duo explore the spaces that form between people in love, and the desire to reconnect, repair and rectify things with one another. It describes the need to be close with someone to feel comfort, freedom and relief.

‘Be Cool’ features the pair’s signature sound as soaring vocals and blended with sparkling production and driving beats.

"We wanted to strike a sonic balance between the modern and retrospective sounds of UK house music, drawing influences from artists like Jamie XX and Bicep, with throwbacks to the synthesised trance throbs of the ‘90s," Kult Kyss explain.

As their second release of the year, the musicians continue to push boundaries in future pop by drawing listeners into their dynamic sonic realm.

The release has further cemented Kult Kyss’ distinctive sound in the world of electronic pop, and proved they’re not messing around. Listen now.

3.     ‘Impulse’ - Reilly Stapleton [words by Charlie Dally-Watkins]

Reilly Stapleton has released her intriguingly dark new track, ‘Impulse’

The unsettling, eclectic rock ballad illustrates the fine line between our morals and devilish impulses. The artist leaves no stone unturned as she explores the darker side of the human psyche.

Stapleton’s deepest, darkest thoughts are expressed in the perfect fusion of lyricism, vocal delivery and instrumental arrangement. The powerful vocals, screaming guitars and swirling synths are applied perfectly.

The humble musician says ‘Impulse’ is reflective of the constant battle between our negative impulsions and our inner consciousness that provides you with a positive moral compass.

“The song uses violence, anger and control in order to convey this unavoidable conflict… When somebody has a short tolerance of anger they can withstand, it is generally our consciousness that holds us back from lashing out,” she says. 

Make sure you hear the vocal prowess of Reilly Stapleton live before the end of 2019, it’s an experience to behold.

4.     ‘Can’t Stop Me’ - Traces [words by Charlie Dally-Watkins]

Self-made trio Traces have unleashed their new powerful single ‘Can’t Stop Me’.

The track has a focus on mental illness, describing the fight against oneself and overcoming self doubt.

Traces want to celebrate the positives, saying someone out there is going through hell right now and seeing proof that it isn't forever might save their life.

"We all have an idea of who we want to be, an ideal image of ourselves that we all strive for. Often pressure from outer influences like friends, family and society can make it hard to be who we want, but ultimately the biggest thing stopping us from realising our dreams, goals and aspirations is ourselves, our own self doubt and the negative side of who we are that we all pretend doesn’t exist," they say.
An emphasis has been put on individual creativity to maintain deep rock sounds, catchy choruses and spicy guitars.
Ever since their humble beginnings, the band have ensured every sight and sound is an authentic representation of their creative vision. They’ve played alongside bands like Dream on Dreamer, Attila (US), In Hearts Wake, Hellions, Polaris and Ocean Grove.

A debut album is expected in 2020, so watch this space.

5.     ‘December Song’ - Stevie jean [words by Max Melit]

As the opening track of Stevie Jean’s new EP ‘Blame Game’, ‘December Song’ shows the Northern-Territory singer-songwriter as both a burgeoning indie force and maturing musician. The song puts Stevie’s voice front and centre in the mix surrounded by minimal, but interesting instrumentation.

The sparse nature of the verses is contrasted by a vocally complex and layered chorus with interesting production. Fascinatingly dissonant guitar chords serve to define Stevie from the rest of the indie pack, hinting at a songwriting complexity.

Stevie’s voice weaves in and out, layered and panned in an impressive way. Combined with a frantic and fast snare drum underneath, the song is both dense and satisfying.

The lyrics hint at a ‘you want me now I’m not there’ dynamic with a once close friend. Stevie sings in a verse, “I bet your head is high on the recliner of life/He’s out with the boys again, you say. I love you honey, look away from his eyes.” 

Stevie has managed to serve up a rich opener to a strong EP with ‘December Song’. On top of her recent successful collaboration with Sydney rapper Tasman Keith on the LP Evenings, she is looking to finish the year on a high note and an artist to be reckoned with heading into 2020.

GOOD FRIDAY - SPICIEST NEW TUNAS OF 25 OCT 2019

Good Friday: The feature series that shines a light on our favourite new releases from around Australia, New Zealand and Southeast Asia. Make sure you check out all the artists that featured this week up the top of our weekly playlist, which also includes some other jams we've been getting down to during the week.

1.     ‘Pipe Dreams’ - Good Lekker 

Wollongong favourites Good Lekker explore the intangible chaos that pervades the human condition in their new single ‘Pipe Dreams’.

Following the release of ‘Prague’, the band shift into deeper subject material in their most mature release yet. The single also comes as a taste of the band’s debut EP Samara set to release November 22.

Good Lekker vocalist Josh Fahy says ‘Pipe Dreams’ was written as an extended jam that was later refined.

“It’s a call to push on, to fight the good fight, and to find peace amongst the chaos,” he explains.

After considerable success over the course of 2019, the band have been compared to the massive names of Foals and Northeast Party House.

Good Lekker have been steadily growing their fan base since 2017 by producing catchy tunes and playing energetic live shows filled with thick synths and dirty riffs. Now, their sound has reached a level which is undeniably charming and instantly recognisable. Get amongst the delicate and driving mix of Brit-pop and indie rock today.

2.     ‘Chain’ – Winifred

Melbourne-based newcomer Winifred has shared her debut single 'Chain'.

The brooding track, written and recorded in London, is about the nostalgia associated with lost relationships.

Winifred says the song describes being bound by memories, haunted by someone as if they were a physical chain around your neck… but it's also about piercing through that veil.

The inspiration was drawn from Bjarke Ingles’ quote: "What changes over time is the naivety fades away, but it is replaced by another kind of confidence."

With such a catchy melody and chorus, it’s no surprise the tune was made alongside producer Tim Gordine and mixed by Jono Steer.

After working with Melbourne-based artist-producer Alice Ivy in the past and even joining her on stage at The Forum earlier this month, Winifred has proven to be one of Australia’s most exciting young pop talents around. Stay tuned for more Winifred news!

3.     ‘Been Busy’ – Thunder Fox

Strap yourselves in for the wild aural and visual journey that is ‘Been Busy’.

The new funk-drenched single from Thunder Fox, paired with a crazy music video, comes from their forthcoming album LOVE AT FIRST SNIFF.

Drawing influence from Anderson .Paak, Hiatus Kaiyote and D’Angelo, an expert marriage of horn lines with addictive basslines and riffs shine through in the song.

Working with director Nick Allen, the band’s cheeky humour comes through in the music video for ‘Been Busy’. It perfectly encapsulates the pure musical absurdity that is Thunder Fox.

When speaking on the new track and upcoming album, Thunder Fox say the music muses on subject matter with a discernible sense of growth and progression while stretching across a canyon of mixed emotion.

After headlined several tours of their own while appearing at the likes of Lost Paradise, the Caloundra Music Festival and Subsonic Music Festival, the band are stronger than they’ve ever been.

Thunder Fox have cracked the code to swagger infused, hedonistic rock-funk hoo-ha, and we can’t wait to hear more. Thunder Fox will be unleashing new music across stages sooner than you think, so get ready!

4.     ‘Weightless World’ - Golding

Introducing the new indie-electronic pair soon to take over your radio… Golding.

Jay Bainbridge and Matt Bartlem have worked alongside each-other musically for some time, so their new single ‘Weightless World’ has been a long time coming.

The debut single is the epitome of musical chemistry, blending smooth soulful vocals with intricate layering of rippling beats, pulsing synths, and delicate guitar riffs.
‘Weightless World’ reflects on the seemingly perfect life that comes with fame and money, and draws inspiration from artists such as Alt-J and Phoenix.

The duo with a sound similar to that of Nick Murphy / Chet Faker, experiment with melody, beats, and space in a way that seeps into your subconscious. The meticulosity composed sound swirls around your mind and takes over your senses.

And now for the best part… ‘Weightless World’ is only just the beginning. Get intoxicated by the charming harmonies and vocals of Golding now.

5.     ‘Raise The Alarm’ - NOT A BOYS NAME

After touring with the likes of Olympia and I Know Leopard, Sydney artist NOT A BOYS NAME aka Dave Jenkins Jr. has finally released an indisputably infectious single, ‘Raise The Alarm’.

Co-written with Lucy Taylor (Dagny, Dua Lipa, Friendly Fires) and Ross James (Upsidedownhead), the multi-instrumentalist has hit the nail right on the head.

NOT A BOYS NAME has spent the most part of 2019 ensuring the melody, bass, and percussion of his new music is the best it can possibly be.

The musician openly says the single came at a time when he felt trapped… consumed by nothing. The song is about finding the catalyst to shake you up and take you where you want to go.

He explains: “I desperately needed a change and was searching for the courage to take that first step into the unknown…  It’s so easy to get stuck in a complacent place, a burning room… It’s so easy to say, this is fine… This song is about learning to say it’s not.”

Previous releases have gained insane amounts of popularity, and we expect no different with ‘Raise The Alarm’. Watch this artist… a tour is on its way!

Outloved set ambitious musical statement with debut single, ‘Dying to Leave’

The first thing you should know about Outloved is that they are loud. Loud to the point of earth-shattering.

The band, formed in the Gippsland region of Victoria by Jaydon Colvin (vocals) Luke Bakker (drums), Conor Kelly and Michael 'Beany' Beane (guitars) bring a strong post-rock sound that any fans of bands like Karnivool would relish, and that sound is more than ambitious on their debut track, ‘Dying to Leave.’

Teaming up with Ionei Heckenberg (Ocean Sleeper’s Guitarist/Vocalist), the band crafted six songs in just three days, an experience that proved a rewarding one. 

“Working with Ionei has been the best but hardest time I’ve had [recording],” Colvin said to Good Intent. “He pushed myself to be better than I’ve ever been before… Whether that be with lyrics, melodies or tracking guitar.

”Ionei’s songwriting abilities [are] why I leant towards working with him, not just because he’s great to work with. His ability to write music is incredible; I believe as he has definitely taught me a great deal along the way.”

That talent has carried through not only in writing but in the production. Opening with a droning synth bass and piano, ‘Dying to Leave’ soon gets going with Colvin crooning about being left alone, something that he struggles to deal with on his own.

When the chorus hits, a twenty-story wall of earth-shattering drums stuns the listener, and the synths intensify strongly. The blend of electronics and live instrumentation is what is most impressive, giving the track a gargantuan, ambitious feeling and foreboding sense of dread. 

Eventually, the songs coasts out on the chorus hook, with Colvin calling out to be saved, echoing into the ether. Combined with the synth bass, it makes for a haunting close. 

‘Dying to Leave’ is a haunted, tortured song, with its mental health themes feeling raw and upfront. Outloved have hit the listener with a bang right from their debut single, and it bodes well for whatever comes next. With a debut EP set for release in mid-2020, the sky could potentially be the limit for this exciting band.

“I cannot wait to release the new music; ‘Dying To Leave’ is only a small slice of the cake,” laughs Colvin.

GOOD FRIDAY - SPICIEST NEW TUNAS OF 18 OCT 2019

Good Friday: The feature series that shines a light on our favourite new releases from around Australia, New Zealand and Southeast Asia. Make sure you check out all the artists that featured this week up the top of our weekly playlist, which also includes some other jams we've been getting down to during the week.

1.     ‘My Girl’ – Doko

Doko have returned with their new highly-addictive indie single, ‘My Girl’

The tongue-in-cheek, 70’s style of “pop minimalism” works exceptionally as the band describes a boy-meets-girl love story.

Guitarist and songwriter Budo Miller says the track is a result of the band setting themselves a challenge to write a song using only three chords.
He explains: "A lot of the time when writing songs for a project of yours, you try to create something which is complex and intricate, thinking it’ll be objectively good… The problem is music isn’t objective and complexity doesn’t always mean it’s good." 

The decision to release the tune was made after they played it live, and discovered it was a crowd favourite. There’s an infectiousness to the track which will have you dancing instantaneously.

After the success of previous releases and tours, the Sydney rockers have indisputably reinforced their position in the Aussie music scene. You won’t want to miss this one!

2.     ‘Drones’ – Osaka Punch

Brisbane's mighty Osaka Punch are back with a bang, ‘Drones’

The heavy funk band’s fusion of pop and jazz sets them apart from most other heavy acts, including elements of humour and satire in their music.

Jack Muzak (Vocals and Keys), The Beat Cleaver (Drums), Reggie Tuggnuts (Bass) and Chrispy Town (Guitar) have steadily risen their profile as one of Australia’s most entertaining acts by touring relentlessly and releasing damn good tunes.

Jack says the track is about how some people stand for what’s right, and others don’t.

He adds: “While the Greta Thunbergs, Martin Luther Kings, and Michael Boltons of the world hold a light up to the injustices that plague our society, cretins still stand atop an Everest of evil, pissing in the wind… But when all the resources are gone, the last river has dried, and society has cannibalised itself to oblivion, they can rest upon their mountain, licking yellow snow cones, and wiping their arses with $100 bills."
If you haven't witnessed the 'Punch’ yet, you’ve got some ground to cover! After supporting the likes of The Butterfly Effect and Mammal, Osaka Punch are heading into 2020 on an upward trajectory. With more singles, albums, and tours on the way, Osaka Punch’s biggest year is yet to arrive.

3.     ‘More Than You Imagined’ – Vast Hill

From the unbelievable range of breakthrough musicians produced by Sydney every year, dream-pop duo Vast Hill are at the top of that list for 2019.

They have released their debut album More Than You Imagined, and the title track exhibits clever arrangement which cohesively gels with the melodies.

The snapshot of a kaleidoscopic, pastel-drenched world is incomparable to any other song out there right now. Thankfully, the retro vibes aren’t an overkill in the song, which often happens in modern music. The project has been executed with confidence and shimmering flair; traits needed by all artists in the competitive industry.

The fun, vibrant pair clearly know their direction and have the skillset to back it up. ‘More Than You Imagined’ spans soundscapes ranging from daydream-heavy to gorgeously immersive. So, go immerse yourself in the hazy vibes of Vast Hill today. 

4.     ‘Oh Man’ – Emma Bosworth

Emma Bosworth has always been an artist to perfectly capture a moment and to no surprise, she’s done it again.

The musician known for experimenting with her music has been at the heart of Brisbane’s music community for quite some time now, and her new single ‘Oh Man’ is proof why.
While the track is a pitch-perfect slice of writing, it’s a completely different vibe for Emma. ‘Oh Man’ includes gorgeous explosions of sounds that allow the vocals to take centre stage, radiating heavy Tame Impala and Go-Betweens feels.

Instead of giving answers about the song, Emma asks questions: “Is it a reflection of our current times and times passed, are we born into the wrong era? Can we rewrite the future? Do we romanticise about generations passed not knowing their limitations? Would we have been more than what we are now? Where have the “slow rituals” of the past gone? Who even peels pea pods back now? And how often do we sit around, listening to records, talking to our elders, where has community spirit gone?”

Since her 2014 debut solo album, Emma has managed to balance babies, collaborations, and her role as CEO for Green Music Australia.
This musician is taking all the right risks and is a powerful force to be reckoned with. Stream ‘Oh Man’ now.

5.     ‘Say It’ – Bad Juju

Melbourne outfit Bad Juju tackle the topic of mental health in their empowering new single ‘Say It’.

The group depict the priority of healing within the track, particularly when it comes to putting yourself first.

‘Say It’ opens with an eruption of urgent guitars and gritty, swirling vocals which speak honest lyrics.

Frontman Russell Holland says the song describes standing up to someone you disagree with.

“It’s about having the courage to say no, by sticking to your guns and saying what you believe in,” he adds.

Since the release of 2018’s ‘Hidden Desire’, the band have been performing alongside some impressive names, including Trophy Eyes, Dream On Dreamer, and Sienna Skies. The five piece know exactly how to make an entrance in a live setting by using hard-hitting, ‘90s inspired grunge, which draw similarities to Citizen, Superheaven, and The Offspring.

Bad Juju’s candid single ‘Say It’ hints at an extended release due out next year, and we could not be more excited.

PREMIERE: Coast & Ocean serves up existential new RnB jam

Homegrown talent Coast & Ocean is back with the perfect jam for the summer, ‘Daiz Gone.’

Currently touring Europe and playing Surfana Festival in the Netherlands alongside fellow Aussie acts Goldmember and True Vibenation, Coast & Ocean (Alex Johnson), has been having an on-fire 2019. It’s not hard to see why, with his last track ‘White Roses’ being released to considerable acclaim earlier this year.

However, this new track, which serves as a second tease towards a debut album, sees the RnB artist in a much more existential mindset; after four years on the road touring, this track sees Coast & Ocean contemplating the pursuit of happiness in a world obsessed by chasing wealth.

Produced by renowned Australian producer Tim Carr (Matt Corby, Urthboy, Julia Stone), the track opens with simple synths and echoing vocals, before a simple RnB beat introduces itself. This is a laidback affair filled with summer vibes and feels like a chill drive down the coast, with a view of the ocean in the windscreen.

Once Coast & Ocean’s vocals pop in, he begins to question what actually makes him happy, if he’d rather be rich and famous like Cruella de Vil, or be a beach-loving bloke who loves surfing and getting high.

The hook on the chorus is undeniably infectious, and it is complemented by the fact that the production is handled really well. Carr makes the instrumental muscle really flex on the chorus, but also dials it back on the verses to allow Coast & Ocean’s great verses to be front and centre.

This is complemented by gorgeous voice samples and a synth bass hanging in the background, and when they all fade out gradually to allow Coast & Ocean’s gorgeous singing to bring the track to a close, it really ties everything together to give the listener a warm feeling.

‘Daiz Gone’ is a track for the summer ahead, but one that has a solid heart at the core of its tune. Coast & Ocean has crafted a track that allows you to not only enjoy the immediate feelings of summery, lush soundscapes but also rewards returning listeners who will get more out of the themes of the track on repeated listening. Summer is on its way, and we have the perfect tune to accompany it. 

Majak Door Release Explosive New Tune with Guns Blazing

Majak Door have shared their massive new single ‘Shotgun’ along with an upcoming EP and tour announcement.

The track is one of the band’s first harder rock sounds that maintains their signature 60's psychedelia, dream pop style.

The band drew inspiration for the tune from a number of retro tones, including guitar work similar to that of Johnny Marr (The Smiths). 

Vocalist/guitarist of Majak Door Frank says the melody came about when they realised they wanted to write a song that was a bit darker than usual.

“We felt like we needed to do something in a minor key, something we could add a bit of drive to, something you might want to head-bang to," he explains.

The surf rockers are known to produce wavy, tropical lo-fi music, substantiated by their single 'Daisies’ released earlier this year.

Majak Door have grown considerably since 2014. Particularly after the decision made by Frank, Ronnie, and Louie to add Max the conga player to their live show.

As the year comes to a close, Majak Door are showing no signs of slowing down, announcing an EP to be revealed on Friday 8th November, and an upcoming tour across the East Coast in November. Get amongst it!

Güs Hits a Home Run with Enchanting New Single

Brisbane musician Güs AKA Angus Hayes has dropped a phenomenal new track, ‘Way You Make Me Feel (feat Silier)’, which sounds like a blend of Ziggy Alberts and Petit Biscuit.

The wholesome tune explores the ups and downs of a long-distance relationship, as the artist’s partner is Norwegian.

Güs explains: "This is a song I wrote for my partner Sunny… The distance has made our relationship particularly complicated at times".

The artist’s third track pays heavy homage to influences Nick Murphy/Chet Faker, RUFUS DU SOL, and Vancouver Sleep Clinic.

The artist was having trouble putting the pieces of the song together… until he met Norwegian house and lo-fi producer, Simen Eriksen AKA Silier.

“I sent Silier the track on a Sunday and he had a new mix back to me in a couple of days… [he] came over for an evening recording session, and the result is pretty close to what you hear today,” says Güs.

While his previous release ‘Sun’s Bright’ picked up close to 1000 monthly Spotify listeners over a few days, the new tune ‘Way You Make Me Feel (feat Silier)’ has completely shattered expectations by racking up more than 23,000 listens in a week of its release. Güs has garnered a solid following over the course of 2019 and plans to unleash his upcoming EP Therapy later this year.

The beachy electro producer has proved he means business, so without further ado, all aboard the Güs bus!

GOOD FRIDAY - SPICIEST NEW TUNAS OF 11 OCT 2019

Good Friday: The feature series that shines a light on our favourite new releases from around Australia, New Zealand and Southeast Asia. Make sure you check out all the artists that featured this week up the top of our weekly playlist, which also includes some other jams we've been getting down to during the week.

1.     ‘Let’s Stop Pretending’ - Sunday Estate

The Sunday Estate have unveiled their lively third single, ‘Let’s Stop Pretending’.

The fun-loving quintet have created the perfect tune for lovers of nostalgia pop, featuring hard hitting, head-banging percussion and catchy, funk-laden guitar riffs.

The song was formed swiftly, imitating the chaotic, nervous energy one feels when they’ve fallen for a friend.

Inspired by Netflix’s cult teen rom-com, ‘To All The Boys I’ve Loved Before’, the track follows the all too familiar narrative of two friends falling in love, but ignoring their feelings to preserve the friendship.

The warm familiarity of The Sunday Estate’s sound adds a new perspective to the reminiscent likes of The Cure, New Order, The Strokes and Phoenix.  

From originally starting as a joke back in 2017, The Sunday Estate have made huge strides in the right direction over the course of 2019, and there’s no sign of them slowing down.

To celebrate their recent success, The Sunday Estate will be performing at The Chippendale Hotel in Sydney on 24th October. ‘Let’s Stop Pretending’ is a taste of great things to come from The Sunday Estate. Get around it!

2.     ‘Jealous Love’ - Neon Tetra

After supporting the likes of Boy & Bear, Robbie Williams, Ball Park Music, and Vera Blue, Adelaide’s Neon Tetra have released a new luscious single, ‘Jealous Love’.

The bright sound unveils a new era for the group by forming an insatiable groove with fun lyricism and melodic strength. ‘Jealous Love’ is a refined culmination of the band’s influences, implemented with finesse.

The polished synths, dreamy production, and flawless lyricism constructs a solid soundscape which enables the band’s pop arrangements to take centre stage.

Neon Tetra have become one of South Australia’s most popular young bands through embracing dynamism, romanticism and maturity, and are stronger than ever on this new release.

There’s no doubt the new soaring stylistic twist on the sounds of the ‘70s and ‘80s has paid off dramatically for the four-piece. With many exciting things coming up, you’re going to want to hop on board the Neon Tetra bus before they go on tour!

3.     ‘Retribution’ - Droves

Droves have changed dramatically over the past year, embracing a fresh, layered soundscape in their new track ‘Retribution’.

The formerly Wollongong based, now Sydney group include an urgent percussive undercurrent and a banging chorus in the tune.

The band’s multiple vocalists know exactly how to execute a pounding, syncopated chant that compliments instrumental sections. Moreover, the song effectively cuts through an underlying tension with resplendent, reverberating guitars.

Droves frontman Phil Spiteri says the song was inspired by the complete free reign that the rich are given to dig up and spit out the planet.

“‘Retribution’ is the first instalment of many songs to come that challenge the established concept of society through an ironic blend of pop-hooks and dark imagery," he adds.

The quintet have gained truckloads of support in the last few months, specifically by opening for big names like RAAVE TAPES, San Mei, and Bakers Eddy, to name a few.

Droves will be playing exclusive shows in Sydney and Melbourne over the next month or two, so make sure you see them while you can!.

4.     ‘Fall Into You’ - Price Park

Melbourne producer Price Park joins forces with long-time collaborator Arty Ziff for a new spin on his latest release ‘Fall Into You’.

Fresh off the release of his track ‘Rise’, Price Park utilises lush production techniques to accentuate Harris’ exceptional vocal tone.

The track takes the listener on a smooth journey through a vibrant soundscape.

Price Park says the remix was the perfect opportunity to rework some Arty Ziff magic.

“’Fall Into You’ was a huge step forward for Arty Ziff and the development of his sound is super exciting… We’re very close friends and Mitch is close to a brother of mine, so it was only a matter of time before we worked together,” adds Price Park.

Being the breakout year for both artists, their modern sound sets them up nicely for the future.

“[It’s] incredible… The way he was able to add his sound with my sound and make it blend was amazing," says Arty Ziff.

Arty Ziff has always been afraid of a remix being better than the original… and he says it's happened. If that isn’t enough reason to give it a listen, I don’t know what is.

5.     ‘Can’t Keep Waiting’ – Parker

Award-winning visual artist, songwriter and musician Parker AKA Tash Parker gifts a new track, ‘Can’t Keep Waiting’.

The application of heavy, industrial percussion and repetitive synth patterns blended with Parker’s soft voice likens the song to those of Lana Del Rey.

‘Can’t Keep Waiting’ is infused with the power of primal human emotion, describing a grand leap into the unknown, away from everything comfortable and safe.

Parker says the single is about gathering the courage to be honest with yourself and letting go of all that is safe in order to grow.

“I believe it’s in the moments when we feel completely lost that we find the opportunity to discover something new about ourselves…  Each moment we have the ability to create ourselves anew,” she adds.

The electronically iridescent new single is a transcendental, meditative masterpiece that draws the listener into an ambient state of contemplation. Prepare to be physically, mentally, and spiritually awoken.

King Coyote release an energetic, well-rounded rock tune inspired by true love

The lads from King Coyote pay homage to vintage rock on their new head-banging jam, ‘Coca Cola’.

Featuring similar sounds to Queens of the Stone Age, Them Crooked Vultures and Jet, ‘Coca Cola’ is the kind of song that makes listeners slam their empty glass on the bar and bust a move.

King Coyote lead vocalist Sunny Rowlands explains: “Coca Cola was inspired by true love, about seeing the red flags and acting on it, before you lose too much time”.

Sunny (vocals), Jimmy (guitar, vocals), Stevie (drums, vocals), Josh (bass) and Mike (guitar) have effectively infused heady guitar riffs and hooky vocals into the song.

The track will be featured on their upcoming EP Wild which is set to release on November 1.

 Whilst it’s taken the band a while to produce the EP, they say it’s worth the wait because it shows how far they’ve developed musically.

“We’ve taken a bit of time with this EP, enjoying the road, the band bonding, the late nights, the long nights and all the in-between, helping us get the songs to the point that represents us truthfully as a band,” say King Coyote.

Along with their own shows, the rockers are supporting Grinspoon and Thirsty Merc in October and November. 

Ahead of the upcoming live performances, Sunny says: “The shows will be high energy, loud, and in your face – like a shot of coffee with your Red Bull!” 

Their new music exhibits a diverse style, executed by a group of seasoned musicians who know exactly who they are and what they represent. Listen to the absolute belter ‘Coca-Cola’ now.

GraceJean inject gorgeous nostalgia into new music

Melbourne duo GraceJean showcase a strong dynamic as both performers and songwriters on new single ‘Turn Away’.

Paired with the release of their debut album Long Black Road, the group apply heartfelt lyricism and lush arrangement to the single as they explore harmonic balance.

Making music since 2017, GraceJean’s Fiona Steele and Ailsa Mitchell flaunt their growth on the fresh record.

Through a phenomenal blend of rich harmonies, rhythmic guitars and poetic storytelling, the listener is invited to bop along.

The powerful lyricism in the track is a massive step up, so it’s no surprise when GraceJean say they’re in their happy place when making music.

“We find ourselves in our element in the depths of writing a song together; piecing it together word by word, one chord at a time, deliberating over nuance and imagery,” they say.

As their new music comes to life in an environment that nurtures positivity, GraceJean’s smooth, natural flow is indisputably heard.

As the girls explore a new chapter of artistry, their sound strides forward. There’s no denying GraceJean have found the formula for producing an impressive tune that captivates the listener. So, don’t ‘Turn Away’ from the Long Black Road.

Reverie serves up haunting dreamy synth-pop banger, ‘Gravity’

Sunshine Coast artist, Reverie, who’s been turning heads with her dreamy indie-pop soundscapes and haunting vocals, is back with a brand new single, Gravity.

The young artist released her debut single last year, Princes to considerable acclaim. While that first track showed Reverie as an exciting synth-pop prodigy, channeling the likes of old-school Madonna in her dreamy soundscapes, this sophomore effort looks to be a much more ambitious statement.

Opening with haunting vocals and clicking percussion, Reverie croons about being pulled into a false reality, one which corrupts her feelings and thoughts of people around her. The distorted production and background vocals make the song feel like it is being performed in a giant space, creating a haunting ambience.

However, once the synths start to build and launch into an explosive chorus with punchy chords, electronic percussion and noodling guitars hanging in the background, the song takes on a whole new sense of foreboding atmosphere. Reverie compares the false reality to a toxic environment, filled with distortion and confusion. And, like gravity, she cannot escape from this upside-down world.

The track eventually coasts out on these wubbing organs and the same clicking percussion heard at the beginning of the track, which brings the song to an unsettling close.

This a big step forward for Reverie, a track that really shows a statement of intent. Few pop artists are able to really nail ambient soundscapes, but with ‘Gravity’, you don’t just listen to it: you are in it, you feel it. If this track showcases where Reverie is going next, bring it on! There is so much treasure to be found in this artist’s haunting soundscapes. 

Saint Barae gets nostalgic on latest cut, ‘Power + Control’

Fresh off the release of his second single, ‘Boy From Mars’, Queensland electro-pop artist Saint Barae is back with an exciting new track ‘Power + Control.’

Becoming increasingly known for technicolour style that borrows heavily from electro-pop, Saint Barae has dazzled fans already several times this year, with his first two singles receiving critical acclaim for it’s blending of old-school eighties pop sounds with modern production and flair.

‘Power + Control’ represents a much more intimate affair compared to previous outings Barae has served us. A look into the mind of Barae coming to terms with his sexuality, the track is an ode to honesty and love of one’s self, and that shines in the power and positivity that emanates throughout the song.

Opening with heavy synths and Barae’s choirboy vocals, the track kicks into gear when 808 drums introduce themselves in the chorus. The groovy blend of sounds are ripped straight out of something Prince would have put together in his Purple Rain days.

Barae makes the track his own, singing about his heart being open and wanting to be loved like a god, which empowers the emotion of the song. During the final crescendo, the incorporation of synths to mimic the vocals is a really nice touch, something fans of Empire of the Sun would appreciate.

This track sees Saint Barae at his most honest, but with that, shows the artist’s integrity. This track has a confident, stare-you-right-in-the-eyes delivery that you can’t help but get swept up in, and the fact it is such a colourful display of synth-pop is the icing on the cake. With this track, Saint Barae confirms that it’s only going to be a matter of time before he hits it big. Keep your eyes on this artist, he’s going places.

Admella return with emotional tribute to former band member

After a three-year hiatus, Mt Gambier's alternative rockers Admella are back with a new single and musical vision.

‘Castle’ takes a serious look into the recent events surrounding the band, particularly the loss of a former band member who tragically passed away in 2017.

The impressively executed components take the listener on a sobering journey, remembering the life of the former Admella member. A lonely piano melody is heard in the first few seconds of the song, followed by a raw vocal performance. The track changes pace at the 1:41 mark with a short guitar solo, punctuating the gentle undertone.

Since forming in 2008, Admella’s Thomas (lead vocals, guitar), Jacob (keyboard, vocals), Gavin (guitar, vocals), Adam (bass) and Andrew (drums) have developed a polished sound. However, the five-piece take a much more mature, refined and emotionally driven approach in the new track.

As ‘Castle’ is the first track off their upcoming EP TRAGIC, Admella say their new music describes: "coming of age and dealing with the host of realisations and tragic circumstances that have enveloped the band".

Looking forward, Admella say their next collection of songs will touch on: "a descent into the depths of confusion and subconscious mind, becoming lost in the world". We could not be more excited. Listen to ‘Castle’ now.